Heather Rae

Quebec Bill Bohomme is a hardy schemer and dreamer, who, desperate to raise money to preserve his endangered herd through the rapidly approaching winter, resorts to whiskey-smuggling, a traditional family occupation. Quebec Bill takes his son, Wild Bill, on the journey. Also Henry Coville, an inscrutable whiskey smuggler, and Rat Kinneson, Quebec Bill's perpetually disconsolate ex-con hired man. Together, they cross the border into vast reaches of Canadian wilderness for an unforgettable four days "full of terror, full of wonder."

A group of friends and family descend into the Everglades swamplands for their annual hunting trip only to discover that they are the ones being hunted. A malevolent entity is tracking them and they begin to realise one of their party may be possessed by something brought home from a tour of duty in the Middle East – a demon of war so horrible and deadly they are unaware of its devilish presence. Or are they facing something even more unspeakable, a legendary Native American curse about to unleash its dreadful legacy of thirsting for colonial revenge by claiming more souls?

A classic comedy of mistaken identity and romance set during the holiday season at a ski resort that is owned and operated by a Native American Nation. Shot on location at The Sundance Resort in Utah, this is the first contemporary romantic comedy to feature an almost entirely American Indian cast. The film was featured at the 2001 Sundance Film Festival.

A lawyer returns to her Cree reservation to defend her sister against murder charges.

A documentary portrait of the pioneering indigenous filmmaker and activist Merata Mita and an intimate tribute from a son about his mother that delves into the life of the first woman from an Indigenous Nation to solely direct a film anywhere in the world. Known as the grandmother of Indigenous cinema, Merata’s independent political documentaries of the 1970s and 80s highlighted injustices for Māori people and often divided the country. Mita was fearless in her life, her activism and her art. Chronicling the director’s journey to decolonize the film and television screens of New Zealand and the world, the film documents her work, her early struggles with her family and her drive for social justice that often proved personally dangerous.