Georg Niemann

This film is set in a medieval mill town in the Harz mountains. The greedy and brutal millman and his accomplices, the castle steward and the mayor, set fire to a forest mill that the farmers used for processing their grain. Without their mill, the farmers must now rely on the millman's services. When the farmhand Anna uncovers the millman’s crimes, he swiftly detains her and a young miller, Jörg. The forest spirits have a different plan, however, and they free the young couple with the charge to rebuild the ruined forest mill and turn things around for the villagers.

Krestan Serbin, a 64-year-old Sorbian farm-worker, considers himself non-political. He owns a few acres, a few pigs and a cow, and intends to pass all this on to his daughter Lena. Lena, however, shows only little interest. Krestan’s situation becomes more difficult when he is meant to become integrated into the agricultural production cooperative. He even gets offered a position as Training Supervisor. Although Krestan does not oppose the new policy, he is unwilling to surrender his properties. When the political die-hards who intend to hinder the progressive movement try to win him over, Krestan realizes that it is time to show colours.

Dr. Wagner is a scientist currently working on an experiment for the Asta plant in East Berlin. If the experiment is successful its a brilliant new invention. But Wagner is the target of sabotage, and all the decisive experiment fails. Wagner can not explain this setback.

Actually, the Düsseldorf musician and composer Peter Weselin only wanted to spend his placid vacation with his uncle in the Vogtland village of Klingenthal. But in the city famous for its manufacture of musical instruments, the annual music festival is about to start. For the festival, the accordion factory asks Peter for a large composition for the symphonic orchestra. Furthermore, cute Anna asks him to write a pop song for her youth dance band. Thus, Peter finds no rest during his vacation.

Carola has been running the family-owned circus alone since her husband’s death, but she suddenly finds herself at odds with her three adult sons who are also performance artists and want to have a say in how the business is run. The family discord leads Carola to turn her back on the circus, leaving the three inexperienced sons in charge. This turn of events forces the family to learn to work together or face bankruptcy.