Marcial Di Fonzo Bo

Ever since she broke up with Nigel, Lena soldiers on through life as best she can with her two kids. She valiantly overcomes the obstacles put in her way. But she has yet to confront the worst of them: Her unstoppable family has decided, by any means necessary, to make her happy.

Jean, a respected theater actor, leads a dissolute life. Separated from the mother of his child, he devotes most of his time to work, alcohol, and women. Sylvain in full adolescence, feels the need to get closer to his father. On a whim, both of them leave to join an old friend of Jean, Bob the American, who lives on an isolated ranch. From then on, they will try to apprehend each other, with clumsiness, hesitation and sometimes even violence.

Paris, France. Fred and his colleagues, members of the BPM, the Police Child Protection Unit, dedicated to pursuing all sorts of offenses committed against the weakest, must endure the scrutiny of Melissa, a photographer commissioned to graphically document the daily routine of the team.

This is a combination coming out and first love story. The swimmer and diver Lucard is interested in attractive Martin. The film follows the characters' coming out with all its difficulties, the bitter-sweet pleasures of first love and the dreadful moment when one comes down to reality and realizes that one's beloved friend has a hard way to go yet. The positive message the film tries to transmit is the somewhat common motto "Live each day of your life as if it were your last."

Chantal, an advocate involved in defending homeless illegal immigrant, decides to refurbish her flat. Following her convictions she calls Columbian workers led by an unforeseeable architect. In the mean time a former client decides he is in love with her, her son and daughter are becoming nearly homeless since the flat's walls are demolished, the architect has new plans every day, an irregular workers fall in love with Chantal too and dance with her daughter, Martin (the son) still continue to roller blade around... Could the works go forward in this mess?

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

Three French sisters have their lives interrupted and their relationship called into question when their father returns to visit 15 years after having abandoned them and their now-deceased mother. Each responds differently to his return according to how her character evolved from her relation with him and his unexpected departure. They eventually realize, though, that the somewhat elderly father is quickly losing his memory and his ability to function, and the youngest daughter's decision to accept him again while she can ends up permanently changing her family ties with her sisters.

On the spur of the moment, 30-year old Alain gives up his well-paid job as a tester of computer games, but is uncertain over what do next. He takes up the offer of a place on a course to learn how to operate a bulldozer, although this means spending time away from home. During his training, he is paired up with a child-like younger man, Manu, who is passionate about wanting to drive a bulldozer but has no aptitude for the job. While his marriage starts to fall apart, Alain finds himself becoming more dependent on his relationship with Manu.

Everything Goes Wild

A humble copy editor becomes a personal assistant to her favorite actress and eventually loses herself both in the actress' demands and her own ego.

Sir "P" a 90 year old gray parrot, formerly living with Edouard Daladier, the French prime minister responsible for signing the Munich Treaty, comes to Prague to give his "account" of the past events. But can he do it, being just a bird? In a series of weird events sir is kidnapped by a Czech journalist undergoing his midlife crisis. The guy has him publicly say some really controversial statements, causing a diplomatic scandal. At the end of the day it is the French who decide to assassinate their own national hero....And that's only the half of the story.

In order not to be thrown from his big Parisian apartment by his sister, the idiosyncratic pensioner Joseph takes the 20-year-old farmer's daughter Marilyn with him. She wants to complete an apprenticeship as a make-up artist in the capital, preferably for horror films. An unequal pair, which soon finds attraction as well as rejection.

By choosing Victor Hugo for his first major theater production, Christophe Honoré surprises and intrigues. Angelo, tyrant of Padua surprises even more: little staged, this piece is almost incongruous. For him, it is a text whose clarity hides many secret doors and dark and ambiguous dungeons