Barry John

Within the Delhi based English theater group, a crisis in the personal and professional relationships of the actors is doomed to make a mockery of their attempts to stage Othello. Shakespeare's central motifs of jealousy in love, and prejudice due to cultural differences, closely resemble what is happening among the cast and the play starts to amplify and precipitate their problems towards a tragic conclusion. Yet is it in fact the spirit of the play that is doing this? SYNOPSIS A multicultural theater company in today’s New Delhi is staging a production of Shakespeare’s Othello. The director takes a bold step by casting an inexperienced small town actor as Othello. The new actor falls in love with the leading lady, who is also the director’s love-interest, and the two men become bitter rivals. Things become even more complicated as the actors’ theatrical personae start to seep into their lives outside the theater.

Jim Corbett, an experienced tracker and hunter in the wilds of India, learns that only a few of the dwindling numbers of Indian tigers pose a danger to man. He resolves to do something to prevent the tiger being driven to extinction by hunters, and to convince the Indian government of the necessity of conserving these magnificent beasts.

Krish and Meera, form a young Indian couple climbing the ladder of the corporate rate race in a nation hurtling forward at a rate unprecedented in its long history. Stressed, frustrated and unable to come to terms with the sacrifice required for success, they go in search of a legendary magical insect - The Great Indian Butterfly. Last seen by the unknown Portuguese explorer Carodiguez, in a remote valley located in erstwhile colonial Goa, the butterfly possesses a magical aura, granting immense happiness to the person who catches it. In the journey that takes the couple from the smog filled, concrete jungle of the Megalopolis of Mumbai through the little discovered coastal landscapes of the western Sahyadris, to the sun soaked land of Goa, the couple lose more than what they want to rediscover. It becomes a passage, which seems to travel with a metaphor of its own and an insect as elusive as a fossil trapped in prehistoric resin.

An idealistic English school teacher comes to Trippuvur to work with Mabel Forster, a strong-willed missionary, devoted to saving young girls from being sold into temple prostitution.

Barah Aana is a comedy of real life set in today's Mumbai. The story revolves around three unlikely friends: a driver (Naseeruddin Shah), a watchman (Vijay Raaz) and a waiter (Arjun Mathur). The driver is an older man, stoic but dependable. The watchman, in his 30's, is a pushover at work but otherwise mischievous. The waiter is a young, swaggering chap, brimming with ambition. Living together, their different attitudes make for an interesting banter.At some point, misfortune befalls the watchman, and due to a series of chance events, he stumbles into a crime. Striking upon a seemingly low-risk way to make good money, and discovering a new sense of self-confidence, he tries to entice the others to join him in a series of such crimes. Cat and mouse games ensue between the three as personalities change, but events soon spiral out of control, leading them in a direction that none of them had ever wanted to take...

Jhunku, a 14-year-old youth in 1930s British Bangladesh, embarks on a journey to determine where he belongs.

It is the year 1856. Nawab Wajid Ali Shah is the king of Awadh, one of the last independent kingdoms of India. The British colonialists, intent on controlling this rich land, have sent general Outram on a secret mission to clear the way for an annexation. Pressure is mounting amidst intrigue and political manoeuvres, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either—Court nobles Mir and Mirza, ignoring the situation of their country and all their duties towards their families, spend their days playing endless games of chess. The film is based on Munshi Premchand's short story of the same name.

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

Based on the novel by Bhisham Sahni, Tamas is an epic drama set against the backdrop of riot-stricken North India on the eve of Partition in 1947. Nathu, an outcast, is hired to kill a pig, whose carcass he’s later appalled to find in front of the mosque. A riot follows and, ridden with guilt, Nathu takes his ailing mother and pregnant wife and leaves town.

Host Farooq Shaikh interviews many well-known Bollywood faces as well as television celebrities and gives a peek into their private and professional lives.