Robert Liensol

The film Soleil Ô, shot over four years with a very low budget, tells the story of a black immigrant who makes his way to Paris in search of “his Gaul ancestors”. This manifesto denounces a new form of slavery: The immigrants desperately seek work, a place to live, but find themselves face to face with indifference, rejection, humiliation…until the final call for uprising. “Soleil Ô” is the title of a West Indian song that tells of the pain of the black people from Dahomey (now Benin) who were taken to the Caribbean as slaves.

Vivre libre ou mourir

A rural teacher discovers the harsh realities of his South Africa.

It shows an electoral campaign in Guadeloupe in which Coco la fleur is asked to stand for election for strategic purposes. However, when he discovers how much publicity the campaign offers, he seizes the opportunity to voice the people's grievances.

Aboard a giant slave ship in an abandoned Citroën factory, the history of the West Indies is traced through several centuries of French oppression. The ship becomes a stage for the people to tell stories via song and dance—from their enslavement to their displacement in Metropolitan France.

A French TV movie directed by Jean-Christophe Averty , broadcast on December 24, 1964 . The Old Testament set in Louisiana with an all black cast.

An old couple, Eugenie and Armand, have been living in Paris since 1921 part of the wave of post-war immigration from Martinique. Eugenie, a former dancer with Josephine Baker's Black Revue has become a professional quimboiseuse (practising black magic) for a white clientele. Armand who had been a servant is retired. Now they are both old and bitter and still quarreling with each other. One day they set out, arm-in-arm for a last promenade in the metropolis.

Sucre Amer tells the story of a unique court case in which an event from the past is judged by a court of history. Major figures from history are brought together in the present to re-examine the "Ignace case", about a legendary figure in the history of Guadeloupe who fought against the armies of Napoleon Bonaparte to preserve his freedom. A hero despite himself, Ignace's life and struggle were subsequently consigned to oblivion by his enemies. His treatment has left a bittersweet taste in the mouths of the people of Guadeloupe.

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).

Anita is a barmaid at the center of a community of street preachers, prostitutes, dealers and users. When a beloved friend (and young drug dealer) is caught by narcotics agents, Anita takes it upon herself to score for his struggling clients.

Evocation of the ruthless war which opposed from 1890 to 1894 the French colonial army to the young Ahydjere Behanzin, king and living god of Dahomey, who ended in his surrender and his exile.

Drawn from elements of West African folk tales, it depicts how a newborn boy, Kirikou, saves his village from the evil witch Karaba.

During their invasion of Ethiopia in 1936, a wounded Italian soldier gets stranded in the wilderness after a truck wreck and makes his way to the nearest army hospital, losing his sanity in the process.

UN's The Committee of 19 sends six scientists to investigate a biological outbreak in Africa.

Taken during the filming of "West Indies," this film shows the making of the monumental set in the middle of the former Citroën factory, as well as backstage activity and rehearsals on the set.

The recolonization of Africa, this time by the very blacks who had to flee it as exiles during the time of the original French occupation, is the theme of this political comedy. Adiza, who has been living well in France, has decided that she will return and buy the plantation she and her compatriots were expelled from, and enlists some unlikely helpers to bring them back into the country and enact their plot. Meanwhile, these "local" blacks are unwittingly accepted by the other landowners as more cheap labor.