Paco Hidalgo

I am Ancizar Lopez, Colombian. But I ain't no drug dealer. I am a cocaine exporter, which ain't the same thing. My heart belongs to two women who were my glory and today, are my downfall.

Madrid, Spain, December 27, 1870. General Juan Prim i Prats, president of the Council of Ministers and Minister of War gets involved in a treacherous ambush, is mortal injured and dies three days later. A mystery, a conspiracy, a murder that was never solved.

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

Sara is an overweight teen who lives in the shadow of a clique of cool girls holidaying in her village. Not even her childhood friend, Claudia, defends her when she's bullied at the local pool in front of an unknown man. Her clothes are stolen and Sara must get home wearing nothing but her bikini.

The film tells the obsession of a policeman to find out who is the murderer of a young homosexual. The character played by Antonio Resines, is a cop who gets up in a strange house with a huge hangover and has no memory of what he did last night, when the homosexual was killed. He is the prime suspect.

After accidentally killing the albino boa of his boss, and in search of money to buy a new one, Dani and his colleagues sign up for the first national competition of Dance Dance Revolution.

Is it possible to live aside of the system, thinking only about the present and oneself? A feature film about Manuel Vázquez, the best comic book author in Barcelona during the sixties, but, mainly, a man with a very particular way of living his life.

Fidel, an Asturian miner, after the closure of the mine where he works, decides to walk to Madrid with his family, to ask the king why the Constitution is not met, specifically the article that points out that all the Spanish citizens have the right to have a decent work. Will the king receive him?

Based on real events, in 1972 Juan and José are two textile workers from Tarrasa, Catalonia (northeast to Spain) who meet during an UFOs' convention. Both share their passion about the paranormal, specially about UFOs. In these years where was very much UFOs' sightings, they feel captivated by the mystery and start to investigate the diverse theories about the intentions or purposes of the sightings. Their friendship and the obsession they have will turn in dementia and paranoia, hurting their relations with their respective friends and familiars and exposing their lives to an extreme decision due to the conclusion of their own investigations. Written by Chockys

Vida y color

Los huesos del frío

A young nurse begins her shift at an old city hospital. After a strange apparition one of the oldest nurse tells her that a patient, Mr. Moore, entered the hospital a few years ago. His body was completely burned after a fire. Mr. Moore was operated urgently by the doctors. But no one wanted to assist him. The pain and drugs had driven him mad... One night one of the nurses went to his room but his bed was empty ... Nothing was heard from him anymore. A bell interrupts the story. The call comes from Mr. Moore´s room…

Studying under a disciple of Aleister Crowley, the leader of an upper class group invokes a supernatural force that slowly devours the village of Marienbad and its inhabitants, threatening to spread beyond its geographical limits. The mayor from the town nearby commissions the building of a dam which would flood the valley and therefore submerge the village forever sealing the evil force under water after leader and his followers were incapacitated to be kept from escaping. However, fate ensured the leader's freedom as he remained in the depths when the waters covered Marienbad. Now 40 years later an array of disappearances and deaths in mysterious circumstances are threatening the town next to the reservoir that now covers Marienbad.

Sexo en Chueca.com

A soldier from the 15th century, a university student from the 19th century and a nurse from the present join the secret 'Department of Time', a secret department within the Spanish government with the ability to travel through time. Their mission is prevent changes in history.

The border between the North of Portugal and Galicia is the biggest drug entry point in Europe. History not only reflects the reality of clans but also engages in social implications.

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.