Mikhail Khrabrov

The protagonist finds out that some children were left behind in a sinking school, and is slowly driven mad as he tries to save them. A parable on the theme of the Last Judgment, numerous catastrophic events reveal a certain ambiguity in their origins, accompanied by the terrible suspicion that the things going on are some kind of a performance or theatrical production.

Who was the first to bring the great novel "12 Chairs" to the screen? You say "Leonid Gaidai" - and it will be a mistake. In our country, the first director was Alexander Belinsky (Leningrad television, 1966). Filming the favorite books of millions is a difficult task. The audience knows the plot in detail. Winged phrases have long gone to the people. Everyone has their own idea of ​​the main characters. In general, dissatisfied will be sure. So the version of "12 chairs", proposed by Alexander Belinsky, of course, will not suit everyone.

Vasily Kutuzov, the namesake of the famous commander, ends up in a mental hospital because of his talent for making up jokes. Everyone in his family had this gift, and many suffered because of it. The authorities didn't like that the Kutuzovs were bothering people. Vasily's neighbors in the ward are all famous people who left a mark in history. So he amuses them until the doctors decide to cure him of this "disease"...

The film is about the fate of the soldiers of the Izhora battalion. Formed from the factory’s workers, the battalion took part in decisive battles against the regular units of the Nazi army and ended its heroic journey on the coast of the Baltic Sea.

Author J. R. R. Tolkien (Zinovij Gerdt) tells the story of Bilbo Baggins, a quiet and enjoyable hobbit, whose life is turned upside down when he decides to join the wizard Gandalf and a company of thirteen dwarves in an attempt to regain a treasure stolen from the latter. Soviet television movie adaptation of "The Hobbit".

As Moscow is set ablaze by the retreating Russians, the Rostovs flee their estate, taking wounded soldiers with them, and unbeknownst to them, also Andrei. Pierre, dressed as a peasant, tries to assassinate Napoleon but is taken prisoner. As the French are forced to retreat, he's marched for months with the Grande Armée, until being freed by a raiding party. Part four of the four-part adaptation of Leo Tolstoy's 1869 novel.

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

Based on the short stories by V. Shukshin: A Tough Guy, I Believe, and Suraz.

A television play based on Mikhail Saltykov-Shchedrin's satirical family chronicle.

A televised play based on the novella of the same name by Boris Vasilyev.

Based on the novel of the same name by Viktor Golyavkin. About the touching friendship of two boys - Lyalka and Sanka.

A television play based on the novella Three Years. Scenes from Family Life by Anton Pavlovich Chekhov.

The film-play based on the play of the same name by V. Dykhochivny and M. Slobodsky ridicules formalism and bureaucracy.

Based on a play by Ivan Turgenev.

Based on the play by Mikhail Bulgakov about the last days of Alexander Sergeevich Pushkin's life.

A chronicle of life in a small village in the Baikal Region on the eve of World War I and at the time of the October Revolution. The age-old foundations are crumbling, the process of social stratification is underway and, as a result, some people go to defend the revolution, and others - to fight against it. The main hero is the young Cossack Roman Ulybin. At first, this carefree daredevil is preoccupied only with one problem: whether his sweetheart, Dashutka, is to marry him or a merchant’s son, Alyoshka. Roman is killing time fist-fighting with his rival. But little by little, the young man realizes that the world around him has changed, that people are fighting for equality and social justice, and, being a real Cossack, he can’t remain on the sidelines…

A TV play based on the novel by F.Dostoevsky's "Double. The Petersburg poem". The film uses music from the works of A. Schnittke.