Christelle Prot

La Première éducation sentimentale (the first version of L'Éducation sentimentale), re-adapting the themes of first love, the intoxication of desire, and failed ideological revolution (that culminated in the Revolution of 1848) to the May 68 generation through a chronicle of the parallel lives of a pair of childhood friends, the pragmatic Henri and idealistic Jules as they leave their bucolic, rural hometown to separately pursue their baccalaureate - and real world - educations.

A mother and her two sons have waited for ten years for her husband and their father to return. One day a stranger arrives and approaches them.

The encounter of a young doctor and a werewolf is the setting of unexpected results in another example of Eugène Green's taste for the fantastic.

The story is one of an architect that has lost his inspiration and goes looking for those motivations that pushed him as a youngster to take up the profession. Inspiring him was the baroque movement and all of its artifices: the Guarini in Turin and the Borromini in Rome. The film’s central story ends up being the love story that develops between architecture, artistic inspiration and feelings.

A funny, charming faux-fairy tale about ogres, knights and maidens.

The film is a love story which tells the impossible tale of two youths who have never before met. The action unrolls in Paris between 1979 and 1980.

Drama set in the Second World War, focused on Jean Moulin, hero, martyr and symbol of the French resistance and the patriotism during the dark years of Nazi occupation.

A young man who lives with his mother and has never known his father, heads off to look for him. He finds a cynical and Machiavellian man who works as a publisher in Paris. After he attempts to kill him, he finds filial love thanks to his uncle.

Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.

She losses her sight. Once back among friends and family: blindness, isolation and a strange perception of the bodies around her. Rejection of this changes and an abrupt decision to put an end to it all. In the peacefulness of early morning, the terms of a new shared existence take shape.

Alix is a woman of 27 looking for the only thing she is incapable of: love.

Alix is a woman of 27 looking for the only thing she is incapable of: love.

A television director decides to use his own life and marriage as an inspiration for his latest project.