Wieslawa Wesolowska

Armin Steeb is adrift: just finished with school, living with his middle-class parents, clueless about finding work. He tries connecting with a girl, he engages in risky sex with strangers in public toilets, he goes to job interviews. He also sends an anonymous letter to a local Munich newspaper, claiming responsibility for a fatal road accident. He fitfully pursues notoriety as he goes through life nearly without affect. What will it take to get Armin to smile?

Macho Alex is smart and good-looking. He is known among women as an unscrupulous hunter. He wraps the women in rows around his fingers and then disappears into his sports car. For him, love is something for men who pee while sitting. The womanizer Alex then pushes it a little too far, because three love affairs at the same time are too many even for the greatest professional.

Martin gets a retraining.

Anna and Edith are colleagues at an insurance company. Their male chef uses the women's business success to his own advances. Anna's husband would prefer her to be at home. Anna and Edith become a couple, but it doesn't end with a romantic rendez-vous. Together, and with the help of their female colleagues, they want to improve their work conditions.

Christoph begins his year of civil service at a nursing home as the personal caretaker for 28-year-old Sven. The seriously ill young man is suffering from muscular dystrophy and his nursing room has become his own little microcosm which he has been sovereignly controlling for years.

With his uncouth manner, Professor Pohl doesn’t enjoy the best reputation at the university where he works. To make matters worse, he makes a racist remark when student Naima arrives late for his lecture. Unfortunately for him, a video of his verbal outburst spreads like wildfire on the Internet, and the university’s president, Lambrecht, is called to deal with the incident. But Pohl is not dismissed. Instead, he is put to the task of helping Naima prepare for an important debating competition. The lecturer and the student could not be more different, yet they are thrown together to work as a team.

Kerstin is in great pain. Her daughter Juliane wants to help her die, but the law forbids it. Jessica Krummacher’s second feature describes the most important of events via tiny details that stay with us and get under our skin.

Eine Handvoll Glück

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