Valérie Massadian

In a remote village, young Luka has already seen the worst. His father's disease and a very close relationship with his mother have made him the man of the house. During the male nurse's daily visit, an unexpected invitation to have lunch awakens his jealousy. He decides, then, to bring his own guest. Freely inspired by Georges Bataille’s childhood.

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the term which is long observations of very tiny details. A gesture, a pause, a look, a moment. Throughout his films intimacy has always played a leading role and this is also true for Age is..., all the faces being close friends, or close friends relatives and sometimes even Stephen himself.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

A young woman struggles to overcome lost love, unplanned motherhood and ghostly apparitions.

Evolution and extinction from the point of view of rocks. A humid take on minerals, where sci-fi meets sci-fact. The geo-biosphere is a place of evolutionary possibility, where humans disappear but life endures.