Lillian Bronson

Lockport, Niagara County, New York, USA

Biography

From Wikipedia, the free encyclopedia Lillian Bronson (October 21, 1902 - August 2, 1995) was an American character actress. She performed in over 80 films, 60 of the films from 1939 to 1964, and appeared in over one hundred television productions from 1949 to 1975. Bronson was born Lillian Rumsey Bronson in Lockport, New York, the daughter of a carriage builder, and attended the University of Michigan. She began her artistic career by performing plays at Broadway. During the Great Depression, Bronson and her late sister, Dorothy, opened the Bronson Studio in New York, designing and making toy animals and pillows. In 1943, Bronson appeared in the movie Happy Land as Mattie Dyer and on television in the episode "The Druid Circle" of The Philco Television Playhouse, that aired on March 6, 1949, in the role of Miss Dagnall. She then appeared in a long series of minor characters for many television series episodes from the early days of television until the mid-1970s, including many western genres. She became widely known for her role as the grandmother in the Kings Row television series. Bronson's final appearance on the small screen was as "Grandma Nussbaum", Fonzie's grandmother, in the episode "Fonzie Moves In" of the ABC-TV sitcom series Happy Days, which aired on September 9, 1975. Her final big screen appearance was in the film Kisses for My President (1964), in which she plays the part of Miss Currier.

Movies

The Andy Griffith Show is an American sitcom first televised on CBS between October 3, 1960 and April 1, 1968. Andy Griffith portrays the widowed sheriff of the fictional small community of Mayberry, North Carolina. His life is complicated by an inept, but well-meaning deputy, Barney Fife, a spinster aunt and housekeeper, Aunt Bee, and a precocious young son, Opie. Local ne'er-do-wells, bumbling pals, and temperamental girlfriends further complicate his life. Andy Griffith stated in a Today Show interview, with respect to the time period of the show: "Well, though we never said it, and though it was shot in the '60s, it had a feeling of the '30s. It was when we were doing it, of a time gone by." The series never placed lower than seventh in the Nielsen ratings and ended its final season at number one. It has been ranked by TV Guide as the 9th-best show in American television history. Though neither Griffith nor the show won awards during its eight-season run, series co-stars Knotts and Bavier accumulated a combined total of six Emmy Awards. The show, a semi-spin-off from an episode of The Danny Thomas Show titled "Danny Meets Andy Griffith", spawned its own spin-off series, Gomer Pyle, U.S.M.C., a sequel series, Mayberry R.F.D., and a reunion telemovie, Return to Mayberry. The show's enduring popularity has generated a good deal of show-related merchandise. Reruns currently air on TV Land, and the complete series is available on DVD. All eight seasons are also now available by streaming video services such as Netflix.

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The Andy Griffith Show
1960

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955