Documentary about the life of avant-garde filmmaker Maya Deren, who led the independent film movement of the 1940s.
A bungling burglar, determined to go down in the annals of crime as a genius, steals a ship in New York in order to rob a bank in Boston.
This documentary interweaves films and voice recordings by Maya Deren with interviews featuring colleagues and contemporaries who worked with or knew her firsthand. Drawing on archival material and commentary from figures such as Jean Rouch and Jonas Mekas, the film traces Deren’s work and influence across experimental cinema and ethnographic thought.
"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my camera. It’s only love: therefore it can’t harm you". Joyce Wieland.