Virginia Bruce

Minneapolis, Minnesota, USA

Biography

From Wikipedia, the free encyclopedia Virginia Bruce (September 29, 1910 – February 24, 1982) was an American actress and singer. Born Helen Virginia Briggs in Minneapolis, Minnesota. In 1928, she moved with her family to Los Angeles intending to enroll in the University of California, Los Angeles when a friendly wager sent her seeking film work. She got it as an extra in Why Bring That Up?. In 1930 she appeared on Broadway in the musical Smiles, followed by America's Sweetheart in 1931. She returned to Hollywood in 1932, where on August 10, 1932, she married John Gilbert, her co-star in the film Downstairs. She retired briefly after the birth of their daughter Susan Ann Gilbert. The couple divorced in 1934, and Virginia returned to a hectic schedule of film appearances. Gilbert died two years later in 1936. Bruce introduced the Cole Porter standard "I've Got You Under My Skin" in the film Born to Dance and co-starred in the Metro-Goldwyn-Mayer musical The Great Ziegfeld. One of her final film appearances was in Strangers When We Meet. In 1949, Bruce starred in a daily 30-minute radio drama. Make Believe Town was an afternoon program on CBS. Bruce married her second husband, film director J. Walter Ruben, in 1937, making the Wallace Beery western The Bad Man of Brimstone with him that year. Together they had a son named Christopher (b. 1941), before Ruben's death in 1942. In 1946, Bruce married Ali Ipar. They divorced in 1951 in order for him to receive a commission in the Turkish Military (which forbade promotions of men married to foreigners), but remarried in 1952 before divorcing again in 1964. Bruce died of cancer on February 24, 1982, at the Motion Picture & Television Country House and Hospital in Woodland Hills, California. She was 71.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

More info
Matinee Theater
1955