Misael Saavedra

Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one.

A man chop down trees, organizes the trunks, cleans them, stops to defecate, lunch, nap and continues to sell their timber.

A solitary man's only pastime is to go to a movie theatre, the Teatro San Martín, on Corrientes Avenue in Buenos Aires. There he exorcises his ghosts.

A father and daughter journey from Denmark to an unknown desert that exists in a realm beyond the confines of civilization.