Lucy Tulugarjuk

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.

Fiona is the manager of a fast-food restaurant. She lives comfortably with her family in the suburbs. In other words, Fiona is happy... until one day she accidentally gets locked into a walk-in fridge. She escapes the next morning, half frozen and barely alive, only to realize that her husband and two children didn't even notice she was missing. But when Fiona develops an obsession for everything cold and icy: snow, polar bears, fridges, icebergs--she drops everything, climbs into a frozen goods delivery truck and leaves home. For a real iceberg.

Maïna is the daughter of the Innu leader Mishtenapuu, who attends a bloody confrontation between his clan and the clan of "Men of the Land of Ice." Following this confrontation, Maïna chooses a mission that will change her life. To fulfill the promise that she has made to her friend Matsii on her deathbed, she embarked on the trail of their enemies to deliver Nipki, a 11 year old boy that the Inuit have captured. But she was also taken as prisoner by Natak, the leader of the Inuit group, and forcibly taken to the Land of Ice.

A young shaman must face her first test: a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill.

The eighth installment of the Mission: Impossible franchise.

After experiencing a traumatic event in Igloolik (an Inuit hamlet in Foxe Basin, Qikiqtaaluk Region in Nunavut), Uyarak leaves her community and family in Nunavut to live in Montréal. When Covid-19 lockdowns close off the Canadian Arctic from the rest of the world, Uyarak is further separated from her closest friend, eldest sister, Saqpinak. This extreme situation blurs the lines of both the fictional lives of the sisters, and the non-fiction lives of the film’s directors, Lucy Tulugarjuk and Carol Kunnuk, who play the sisters.