Sonia Couoh

A silent glimpse at love, blood, and other stuff that keep you awake at night.

Andres reaches the Mexican border to cross into the United Sates. There between each attempt, he discovers that Tijuana is a troubled city. As he waits there, Andres is not only confronted with his feelings and what he left behind, but also with those he meets.

Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.

Potosi, a rural town in Latin America, is the crossfire of the ravaging that has devastated the north of the country. An accident along a deserted road connects three stories, an 82 year old goat herder that has not shot his gun in 40 years, a woman who is a victim of domestic violence and a humble peasant living on guard to protect his family from the country’s war against organized crime.

Cecilia returns to the house where she lived with her aunt Matilda. Dreams, memories and hallucinations unleash a past that Cecilia had left behind.

Carmina and Ana are two sisters who face the bitterness of their parent's absence, living each day in loneliness but accompanied.

The tiricia is an illness of the soul when the heart is saddened. A story of three generations afflicted with being tiricientas: Ita, Justa and Alicia – grandmother, mother and daughter – who have at different times suffered, tolerated and allowed abuse, dragging on the disease. Alicia decides to break the cycle, eradicating it for future generations.

Alejandro Gerber Bicecci's "Vaho" (Becloud) tells the story of three childhood friends, Andres, Felipe, and Jose, and their lives in a dusty, run down corner of Mexico City. The boys were inseparable until they witnessed a tragedy that haunts them to the present day. The tragedy shaped each boy differently, and had a profound effect on their lives.

Mexico City. 2002, 2006, 2010. A cop. A hostage. A wife. Corruption, violence, vengeance. Three destinies, during 30 days, during three Soccer World Cups. Three ways to fight in order to survive.

TV MX, the most powerful Mexican Television Corporation, discloses a scandalous story involving Governor Carmelo Vargas in serious crimes and illicit business. Governor Vargas worried about his political future, decides to clean his image and negotiates a billionaire secret agreement with the owners of the TV Corporation. Carlos Rojo, an ambitious young news producer, and Ricardo Diaz, TV network star reporter, are responsible for making a dirty campaign to change the image the public has of the corrupt Governor and make him, at any cost, a political star and a great presidential candidate. Mexican Television believes that democracy is a farce and has already placed one President... Will they do it again?

In her younger years, Rebeca's boyfriend left for the United States but promised to return and marry her. Seventeen years later, he reappears to keep his promise and have a wedding. As she prepares for the ceremony, Rebeca takes stock of a life spent waiting in a village where she can no longer remain.

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie. But all this is news to Alejandro's on-again, off-again lover, Eva Gallardo, a diva of epic proportions, who expected to get the part. While Eva schemes to nail down the role, our four leads begin their own journey on the road to fame.

In the near future, a popular uprising in Mexico City interrupts a wedding held at the home of a wealthy family. After the riots have been quashed, they discover the bride has gone missing and plea with the military to help locate her.

A young man dies by electrocution, but his body remains alive for a few days.

Eddie is an old rock'n'roller who lives tormented by his memories, which make him unable to live in the present.

After turning 40, César is invited to a culinary contest in Cancún, but a bitter discovery threatens to destroy his family as well as his chances to win the competition.

A young woman returns to her rural Mexican village after a few years away to find out if her first love can be revived.

In her fifties, Betina finds love online and leaves her monotonous life to meet her virtual fiancé on the other side of the country.

After his grandfather's death, a man travels with his wife and kids to his hometown, where chaos ensues with his relatives over the inheritance.

Valeria's joy at becoming a first-time mother is quickly taken away when she's cursed by a sinister entity. As danger closes in, she's forced deeper into a chilling world of dark magic that threatens to consume her.

Dramatized series that shows a mosaic of stories, which run in parallel and sometimes intertwine, around Tepito and its identity as a neighborhood, revealing the social prejudices that manifest themselves in classism and racism, as part of a historical reality in Mexico.

Glasgow-based artist Phil Collins’s film Soy Mi Madre examines the immigrant populations of Colorado’s Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet’s The Maids—a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity—Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer, and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.

After surviving a freak accident, Jodie, a twelve-year-old boy from Santa Rosalía, Baja California Sur, discovers that he has Jesus-like powers: He can turn water into wine, make the crippled walk, and perhaps even raise the dead. How will he deal with his destiny and lead the world through a conflict that’s been thousands of years in the making?