Diego Vélez

Cali, Colombia, 1970s. The fictional story of Pedro Rey, the first drug trafficker and drug lord.

In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?

Based on a true story of a British television crew that travelled to Colombia to film a fake documentary about drug trafficking. In one scene, shot in the director’s hotel room, an actor played the part of a character whom the filmmakers passed off as Cali Cartel’s Number Three. They claimed they had risked their lives to get the interview. One sequence also shows a man pretending to swallow capsules of heroine and transporting them to London in his stomach. This phoney TV documentary is an international smash hit. When a London daily discovers that the whole thing is a hoax, a team of British journalists are sent out to Colombia to cover the story. Their report unleashes a scandal that shakes the very foundations of television in the UK.

A group of employees from the Central Worker's Bank become heroes when they prevent a robbery. Their reward: a trip to Melgar, all expenses paid. This trip will reveal joys, griefs and other feelings that perhaps only appear after a few shots.

In a family party that is respected, good music, fun, love, drinks and why not, even a dead person should never be lacking. The Matayana family will experience a rumba on the birthday of the head of the household, Doña Matilde, until they realize that an inheritance is at stake.

The whimsical and joyous parade of ridiculous events satirize the war that rages in Colombia right now and exposes the real spirit of those who inhabit such a beautiful country.

Mariano Concha, a public employee for whom soccer is a great passion. After seeing how the Colombian National Team achieves a draw against Argentina, he starts a whole process to attend the next crucial match, in Bogota and against the same team, going over all his duties and risking the future of his reduced economy. An unexpected event transforms his plans to go to the stadium.

Colombia receives the indemnity for Panama and accepts foreign credit to undertake development works, which increases the number of workers, although with poor wages and terrible working conditions. María Cano, a political activist, began her fight for the conditions of salaried workers and for the fundamental rights of the population.

El Ultimo Matrimonio Feliz is a Colombian telenovela aired since January 21, 2008 on Colombian network RCN. It has a unique format among the current aired telenovelas in Colombia because of its ensemble cast. The telenovela is in top three of the most viewed shows in Colombia on the first half of 2008 season.