Joy Mukherjee

Gayetridevi sends her son, Ashok to get her grandson from Japan. Gayetridevi had an elder son, who married a girl of Japanese origin without her blessings. She wants Ashok to get married to Sarita, but Ashok does not show any interest in Sarita. In Japan, Ashok meets with Asha and both fall in love. Asha's uncle wants Asha to marry Pran, but Asha does not like Pran and runs away with Ashok. Pran runs down Ashok with his car, and Ashok is hospitalized and may lose his eye-sight. Gayetridevi will soon find out which of the two girls - Asha - who she does not approve of - or Sarita, will take of her blind son.

An army officer loses his memory, falls for a married woman, then regains part of his memory but forgets her.

Sent to Boarding School at a very young age, Mala returns home to Delhi after 10 years to find that everything has changed. Her widowed mom has re-married wealthy Khemchand, and all of the family, which consists of sister, Shashi; brother, Deep, and a younger brother, Munna, live in a palatial house. Khemchand does business illicitly as an insurance broker, when the government decides to nationalize insurance companies, he is arrested and sentenced to 7 years in jail. His entire family is thrown out on the street.

Bollywood 1964

As Raja grows up with one goal in life - to avenge his parents' death.

Due to a growing marital rift between Jamuna and her husband, she decides to leave him. He does not permit her to take their son, so she arranges his abduction, and disappears from her husband's life. Years later, Jamuna's son, Mohan, has grown up, and together they live a middle-class existence. One day, Mohan meets with Mona and both are attracted to each other. But Mona's guardian would like her to marry Biharilal alias Difu, who is foreign returned and comes from a very wealthy family. Mona and her friends embark on a trip to Srinagar, and Mohan follows her there. Then Jamuna's overjoyed husband announces the return of his son, Mohan, back to his household.

On the lookout for employment, Ashok sees photographs of beautiful Asha and decides to accept employment as an estate's manager.

Aao Pyar Karen is a movie directed by R. K. Nayyar featuring Joy Mukherjee, Saira Banu.

This film is a simple story of a village boy, Baadal (Joy Mukherjee) who meets a girl from the city, Preeti (Waheeda Rehman) in the most unusual circumstances and the couple eventually fall in love.

After the untimely death of her father and step-mother, Sonia is orphaned and lives with her aunt and paternal uncle (Mrs. and General Rajpal Singh). Sonia is plain-looking as her real mother, and often invites unappreciative, taunts, and critical remarks from her aunt and cousin-sister, Sheela. Sheela has a boyfriend, Dev Kumar Mehra, and she plans to marry him. Fed-up of hearing frequent taunts and adverse remarks about her plain-looks, Sonia challenges Sheetal that she will make Dev fall in love with her.

Satyendra's family is shocked and dismayed when he is arrested for theft - but he is actually covering for his brother, who he believes to be the real culprit

Widowed by the sudden passing of his wife, Superintendent of Police, Choudhry, brings up his son, Rajesh, on his own, teaches him all known good values, and when he grows up sends him to College in Bombay, and remits money to him regularly. Choudhry would like to transfer to Bombay Police, so that he can be close to his son, and then one day out of the blue, his transfer is approved, and a delighted Choudhry writes to his son to pick him from the railway station. Upon arrival in Bombay, he does not find his son at the Railway Station, but when browsing through a newspaper he sees his son's photograph - wanted for the murder of a card-sharp. Shocked and dismayed, Choudhry attempts to piece his life together and attempts to find Rajesh before the City Police do - for he may well face the death sentence. Choudhry does find him, but only after Rajesh is accused of killing a woman named Kishori, and this time Choudhry is quite sure that there is no hope for Rajesh.

Shanta, a widow who wants to question the orthodox society, falls in love with Shekhar, a poet. In her quest to fight the system, Shanta's father-in-law, a retired judge, supports her.

A man tries to kill the man who influenced his wife into killing herself while under supervision.