John Aes-Nihil

From the experience of a transvestite from Los Angeles, the A. shows how race and sexuality are closely intertwined. Through the malleability of the disguised identity, the A. shows an inspired philosophy of Gramsci on the practice considered as subculture field.

In response to the legend that the "Manson Family" may have filmed themselves in some of theirs exploits, this film is a re-creation as to what a film of their may have been like. The film, shot in a piecemeal fashion, is an intentionally amateurish faux "home movie" of the events leading up to, and including, the infamous Tate-LaBianca murders.

A tour of Los Angeles, California's underground gay, lesbian, and transgendered nightclub scene, as hosted by Goddess Bunny, a deformed, tap-dancing transvestite.

Jon Aes-Nihil's experimental documentary about iconic Beat author William S. Burroughs' experiences using a stroboscopic device, known as the dream machine, which simulates the electric pulses of the human brain to elicit hallucinations and dream-like imagery while the user's eyes are closed.