The Key Issue

A virgin boy falls for a more experienced girl.

Denys Colomb de Daunant (1922 - 2006) is a writer, poet, photographer and filmmaker known for being the author and co-writer of the film Crin-Blanc (1952) directed by Albert Lamorisse. Highly symbolic character of the Camargue, aristocrat and dandy, he was also a manager and hotelier. He would lead the immemorial life of an animal herder if he did not have another passion: images. The photographic apparatus and the camera are like sensitive antennas that he spreads over his world and which seek the truth beyond appearances. Since Crin Blanc his photographs have appeared in illustrated books on five continents. Among his many films, Corrida Interdite (in competition at the 1959 Cannes Film Festival) and Le Rêve des Chevaux Sauvages (Golden Bear at the Berlin Film Festival) are global short film successes. The animals, the images... a single passion: that of a free life in one of the rare countries where you can still live freely: the Camargue.

The story is a celebration of the cleverness and wit of the simple peasant Čupera, who triumphs not only over the demon of alcohol, but also over the bureaucratically persistent and thorough devil. The hell that the farmer goes through during the withdrawal process is stylized as a shantytown, a galley with a prison and a dehumanized night club.

"A well-known character, in a dance that created considerable excitement when first introduced in America."

A railway controller and his sweetheart live in peace next to the railway tracks. Out of nowhere, an umbrella flies into their life.

The boys get arrested for robbing an ATM machine and spend 18 months in jail. When the get out, they decide to pull off "The Big Dirty" which is to steal a large amount of coins because they are untraceable and quit their life of crime forever

Bizarre short film; whereby women with huge and strange cartoonish hairstyles try to outdo one another.

Surrealist dark comedy about a subway train obsessed man.

The then unknown Jennings and Andrew Larbi made a little film called One Cold Eskimo, which aired on the television series Takeover TV, produced by World of Wonder for Channel 4 in the UK. Takeover TV was a show that invited viewers to send in their curious, weird, or dumbfounding videotapes for possible airing. One Cold Eskimo is all of that.

Comedic avant-garde animation of The Simpsons. Third part of a 4 piece series of short films.

Comedic avant-garde animation of The Simpsons. Fourth part of a 4 piece series of short films.

Comedic avant-garde animation of The Simpsons.

A gay man reminisces about his deceased lover, a victim of AIDS.

According to the U.S. Dept. of Transportation, 99.9 percent of hitchhikers are murderers. According to the U.S. Dept. of Transportation, 99.9 percent of people who pick up hitchhikers are ALSO murderers.

During a robbery attempt at the local cinema-plex in 1977, Shawn Davis reflects on the last three years of his life. Movies, cars, girls, college, drugs and personal life-changing decisions.

Ethno-fiction: a sociological portrait of a small Belgian village, Moulbaix, through the passion for amateur theater.

The film shows a parade down Fifth Avenue, New York. In the foreground many children, both black and white, can be seen following alongside the parade. The participants in the parade include cowboys, Indians, and soldiers in the uniform of the United States Cavalry on horseback and riding horse-drawn coaches. Buffalo Bill can be seen on horseback, lifting his hat to the crowd. Filmed on 1 April 1901.

In the background is a row of three-masted sailing ships, at anchor, their sales furled. In the foreground, a simple pier that's more like a yardarm juts out above the water; about 15 boys of six or seven years of age are on the jutting wood, and they jump off into the water below. The water looks to be about three feet deep. They swim back toward the pier. A small motorized boat passes. It's a stationary camera; one take.

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.

A lonely dishwasher hires a prostitute and brings her to his dingy apartment to enliven his dreary life for a night.