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In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard and eager rookie Constable Stalker take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.

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The stage play adaptation of the manga Bloom into You.

François Morel-Raymond Devos, Raymond Devos-François Morel, and the loop has come full circle! Because the actor's new creation, Molière 2019, borrows from the illustrious artist the title of one of his famous sketches in which he questions the universe, the madness of existence, the incommunicability with his unequaled talent. Fascinated by this great clown with "a touch of madness capable of blocking the well-oiled mechanics of logic, reality, everyday life", François Morel immersed himself body and soul in his texts to invent a musical show in his homage . Devilishly cheerful! 100 ème représentation au Théâtre de Caen

On refait les grands duos d'humour

The action is set in Naples, opening a door onto an imagined maritime world stretching towards the Orient. Faced with two authoritarian fathers, two sons, both of whom are thwarted lovers, turn to the crafty Scapin, who is driven by a mad desire for revenge. The character is a double of Scaramouche, the Italian actor of the adventurous life whom Molière admired: “to tell you the truth, there are few things that are impossible for me, when I put my mind to them” declares the buffoonish servant whose name, as Denis Podalydès points out, derives his from the Italian scappare which means “to escape”, “to scamper off”. Scapin is beaten with a stick at one point but also gets his own back and, against a background of ransom demands and paternal contradictions, he comes up with an avalanche of stratagems and other tricks, which Molière excels in depicting.

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

On the forest lake the person "from nothing to do" killed a Seagull. The symbolism of this story allowed Chekhov to Express the psychologically complex "inextricably unconnected" relationships of the characters living near a beautiful lake, suffering, hoping, searching, but unable to find themselves and their place in life.The most difficult in the fate of Anton Chekhov, but also the most famous and popular play in theaters in the world. Its simplicity, unique theatricality and stage longevity attract Directors and actors who, with each new production, offer the audience to unravel the mystery of the play, in which the author presented the drama of people in the Comedy genre. Famous film Director Andrey Konchalovsky offers a new version of the play, insisting that the stage action he staged is exactly the version of "the Seagull" that Chekhov intended it to be.

The play is based on a classic love triangle. This is a story of temptations, disappointments and bitter betrayal, like a plague, that struck three lives on a white summer night – the aristocrat Julie, her father's servant Jean and the maid Christina. This is a story about how one Midsummer night, intoxicating with the riot of nature, including human nature, can change people and make them lose their usual appearance, exposing their animal desires and passions. To turn a happy couple in love into an unhappy, high - born mistress into the slave of their lackey, driven by base passions, and what has always been called love, to turn into a Sizzling vulgar lust. What is this force that so ruthlessly reveals to us the other, animal nature of man, and can it be resisted?

Le Malade imaginaire

From 2000 to 2007, Teat(r)o Oficina Uzyna Uzona worked on the staging of Euclides da Cunha's epic book, Os Sertões, which describes the 19th Century War of Canudos in the Brazilian "sertão," lead by Antônio Conselheiro. The final result was a pentalogy of plays. This forth play deals with the cause of the war, when a judge from Juazeiro stopped a shipment of wood that was paid for from being delivered for the construction of the New Church of Canudos. Three expeditions were sent by the National Army and defeated, the last one commanded by the famous Colonel Moreira César. The Army faced the humiliation of soldiers deserting and running away, and the impaling of Colonel Tamarindo. He ended up being the main character in a macabre installation on the road to Canudos, created by the Jagunços (thugs from the sertão) and the Mandrakes to intimidate new expeditions.

Die Millionärin

Věc Makropulos

Sagan om Karl-Bertil Jonssons julafton

Television recording of the theatre play 'Gebroed' by the Werkteater from 1983. The play, written and performed by Frank and René Groothof, is about their childhood together, their relationship to each other and to their parents, their conflicts, but also their shared love for theater and music.

The life of Antoine, an insurance expert and father of a happy family, turns into a nightmare. Dismissed, he loses the esteem of his children and his wife who cheats on him. He sinks then in the madness and decides to end it all by taking his family down with him. After having shot his daughter, he is taken by remorse. An introspective journey of the father follows. (in prison and then abroad) towards the redemption and reconstruction of his disfigured 13-year-old daughter.

La folle évasion

Un homme parfait