National Theatre Live: The Seagull

After the events of Revue Starlight ―The LIVE― #1 revival, Seiran General Arts Institute challenges Seisho Music Academy to a revue with the right to perform the play "Starlight" at stakes. Who will win this Cultural Exchange Program?

In the unstable aftermath of a civil war, Creon, the new King of Thebes, asserts his authority by forbidding anyone from honouring the death of the traitor Polyneices. But Antigone, Polyneices' sister, will not obey. When Creon's authority is challenged, a gripping conflict emerges between the power of an individual and the state. Polly Findlay's electric 2012 production brings Sophocles' tragedy into the modern world as a gripping political thriller.

A new version for younger audiences by Bijan Sheibani and Ben Power. Originally staged as part of the National Theatre’s Shakespeare for younger audiences programme. This archival recording was captured in 2017. This contemporary production sees a company of eight tell the most famous love story of all time, set against a vivid urban backdrop bursting with excitement, colour, dance and song. A swift, contemporary celebration of Shakespeare’s masterpiece, Bijan Sheibani’s thrilling production brings Romeo and Juliet to life for a new generation.

This powerfully bittersweet comedy follows the relationship that develops between nursing home residents Fonsia (Mary Tyler Moore) and Weller (Dick Van Dyke) during a series of gin games in which their ailments, misfortunes and losses are exposed in funny, honest and increasingly heated moments.

Returning home from battle, the victorious Macbeth meets three witches on the heath. Driven by their disturbing prophecies, he sets out on the path to murder. This contemporary production of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the company.

A disfigured musical genius, hidden away in the Paris Opera House, terrorises the opera company for the unwitting benefit of a young protégée whom he trains and loves. The 25th anniversary of the first public performance of Phantom of the Opera was celebrated with a grand performance at the Royal Albert Hall in London.

Livestreamed from the penultimate show at the Winter Garden Theatre in New York City, this stage adaptation of George Clooney's 2005 film follows the story of journalist Edward R. Murrow's stand against Senator Joseph McCarthy's anti-communist witch-hunts in the early 1950s.

Workers in an auto parts warehouse in 1933 New York City inhabit a bleak, dead-end world in the depths of the Depression where, at least, they have jobs. Introduced by its playwright, Arthur Miller, it was the first in a series of NET Playhouse programs concerning life in America during the Depression years.

The innocent Candide discovers that human beings aren't all they are cracked up to be and ultimately focuses on building his own life on his own terms.

'Must I remember?' Hamlet's father is dead. His mother has remarried. He is alone with his thoughts. Then, he speaks. Haunted by grief, and with his world spinning violently out of control, Hamlet has to make some decisions: forget or remember; live or die.

Wild and newly single, Julie throws a late night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.

Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.

It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.

For generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling. Follow along as we leap from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos and Accra over the course of a single day.

From The Public Theater’s Free Shakespeare in the Park at The Delacorte Theater in Central Park, experience this Shakespearean classic directed by Tony Award winner Kenny Leon featuring Tony Award nominee Ato Blankson-Wood (“Slave Play”) in the title role and Solea Pfeiffer as Ophelia (“Hadestown”).

Bullet doesn’t want to call a hostel home. Eritrean Girl was smuggled here in a lorry. Singing Boy dreams of seeing his name in lights and Garden Boy just wants to feel safe. Homelessness amongst young people in the UK is at a record high, so when the big society doesn’t work – where do you go? An inner-city high-rise hostel, TargetEast, offers a roof. Nadia Fall’s verbatim play features performances from Michaela Coel, Antonia Thomas and Kadiff Kirwan.

Purlie is a musical based on Ossie Davis' 1961 play Purlie Victorious. In the early days of the civil rights movement, a Southern plantation owner holds his sharecroppers in virtual slavery. Purlie comes home as a preacher who will shake things up and bring freedom to his people. This 1981 television adaptation won a CableACE Award.

When a young soldier appears, his hope of escape comes with suspicion. And as an old enemy also emerges, he is faced with an even greater temptation: revenge.

Based on the novel by Emily Brontë, adapted and directed by Emma Rice. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights. He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed. Shot through with music, dance, passion and hope, Emma Rice (Romantics Anonymous, Brief Encounter) transforms Emily Brontë’s masterpiece into a powerful and uniquely theatrical experience. Lucy McCormick (Post Popular) and Ash Hunter (Hamilton) lead the company of performers and musicians in this intoxicating revenge tragedy for our time.

An African country teeters on the edge of civil war. A society prepares to drive out its colonial present and claim an independent future. Racial tensions boil over. Tshembe, returned home from England for his father’s funeral, finds himself in the eye of the storm.