A Portrait of Us

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

A celebration of the life and career of one of America's most influential and celebrated filmmakers and comedians—Buster Keaton—whose singular style and fertile output during the silent era created his legacy as a true cinematic visionary.

Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.

A fast-moving and comprehensive documentation of three Survival Research Laboratories performances 1989-1990. Includes "Illusions of Shameless Abundance ...", ArtSpace Computer-Controlled Installation, "A Carnival of Misplaced Devotion ...", plus details of the 1989 bomb hoax incident.

Two Shows from Survival Research Laboratories: San Francisco, CA 1994 and Graz, Austria 1992. The Doom show was SRL's biggest show ever and the War Zone event resulted in a nation-wide defense alert in Austria.

Dance for All

Denys Colomb de Daunant (1922 - 2006) is a writer, poet, photographer and filmmaker known for being the author and co-writer of the film Crin-Blanc (1952) directed by Albert Lamorisse. Highly symbolic character of the Camargue, aristocrat and dandy, he was also a manager and hotelier. He would lead the immemorial life of an animal herder if he did not have another passion: images. The photographic apparatus and the camera are like sensitive antennas that he spreads over his world and which seek the truth beyond appearances. Since Crin Blanc his photographs have appeared in illustrated books on five continents. Among his many films, Corrida Interdite (in competition at the 1959 Cannes Film Festival) and Le Rêve des Chevaux Sauvages (Golden Bear at the Berlin Film Festival) are global short film successes. The animals, the images... a single passion: that of a free life in one of the rare countries where you can still live freely: the Camargue.

"A well-known character, in a dance that created considerable excitement when first introduced in America."

Two years since her arrest made her an accidental superhero of the Umbrella Movement, the infamous 'Chalk Girl', now 16, must decide whether to rejoin the battle for Hong Kong's democracy.

A gay man reminisces about his deceased lover, a victim of AIDS.

Filmmaker Laura Poitras profiles William Binney, a 32-year veteran of the National Security Agency who helped design a top-secret program he says is broadly collecting Americans' personal data.

The filmmaker Laura Poitras follows the tragic return home to Yemen of a Guantánamo Bay prison detainee, Adnan Latif.

'Compton in C Minor' is a meditation on the gang capital of the world from a hometown girl's point of view. Frustrated by negative portrayals of the inner-city, director Ava DuVernay challenged herself to capture Compton in only two hours and present whatever she found. The results touch on everything from unemployment to entrepreneurship, from graffiti to pride of ownership. The short documentary ends with an inspiring spectacle that will cause you to rethink your stereotypes of this community.

Shot over a three-year period with unparalleled intimacy and access, ALL THIS PANIC is a feature length documentary that takes an intimate look at the interior lives of a group of teenage girls as they come of age in Brooklyn. A potent mix of vivid portraiture and vérité, we follow the girls as they navigate the ephemeral and fleeting transition between childhood and adulthood.

Ethno-fiction: a sociological portrait of a small Belgian village, Moulbaix, through the passion for amateur theater.

Beyond the mystical city of Timbuktu, Mamatal, the son of a Tuareg chief sets out on a journey across the Sahara to save his culture known as the blue people of the Sahara before they disappear. But when the North African government of Mali collapses, he finds himself and his people caught up in an international crisis,a battle between the Tuareg fighting for independence and Al Qaeda bent on taking over the Sahara to plot future terrorist attacks against the United States and Europe. documentary looks behind the international headlines of the crisis in the Sahara and exposes the government corruption and neglect of an indigenous people who might be the only hope for defeating Islamic radicals in the region.

On October 23, 1998, a sniper carrying a high-powered rifle assassinated Dr. Barnett Slepian in his home, altering forever a family, a community, and the bounds of our imaginings about anti-abortion violence. This horrific act punctuated a decade of escalating harassment and violence against women’s heath care providers – a decade marred by murders, assaults, death threats, stalking, clinic blockades, arsons, bombings, and chemical attacks. How do these events affect the personal and professional lives of abortion providers? What motivates them to continue their work in the face of such terrorism?

The film shows a parade down Fifth Avenue, New York. In the foreground many children, both black and white, can be seen following alongside the parade. The participants in the parade include cowboys, Indians, and soldiers in the uniform of the United States Cavalry on horseback and riding horse-drawn coaches. Buffalo Bill can be seen on horseback, lifting his hat to the crowd. Filmed on 1 April 1901.

In the background is a row of three-masted sailing ships, at anchor, their sales furled. In the foreground, a simple pier that's more like a yardarm juts out above the water; about 15 boys of six or seven years of age are on the jutting wood, and they jump off into the water below. The water looks to be about three feet deep. They swim back toward the pier. A small motorized boat passes. It's a stationary camera; one take.

We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.