Cactus/es lost in the streets

In the midst of a deadly outbreak, a man returns home in search of family.

A young criminal plans his first murder which will be carried out before an old man, his plan does not go as expected and takes a 180 degree turn.

In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.

After a tragic loss, Ivan becomes obsessed with the personality of the elephants, which they say, never forget.

Amalia, a girl of thirteen, gets her first period one day before leaving for the seaside with her parents.

Ernie Cranshaw is a seventy eight-year-old man and is deeply scarred by a terrible past who lives alone in his humble ranch home. After a mysterious stranger points out to him that a theater is offering free movies before closing its doors for good, Ernie Hesitatingly makes his way to the theater through a rainy night, but what lies in it can bring him to the edge of madness.

Some things must die to live.

In this tale, halfway between reality and fantasy, a mysterious narrator tells us the story of Amani, a young boy passionate about dance. But as the night begins to rumble, Amani’s joie de vivre disappears to give way to his pain.

A family man, driven to the edge by his inability to financially support his family, is found running about on the street naked. Suddenly, he turns into a nationwide celebrity and an inspiration for millions of people in poverty.

The events occur during the Nagorno-Karabakh War. Because of a corpse in a zinc coffin with an arguable address, two families get excited. Having cut the lid off the coffin to identify the soldier, they find out that he is, in fact, Armenian - former citizen of Baku.

Vincent meets his lawyer Angela in the interrogation room. Angela, a female public defender, wants to know why Vincent kills his pregnant wife but chooses to give birth to the infant.

To buy a dress, Coral, a young sex worker agrees to get in the car with a client with a certain reputation.

Nia Belafonte, a high-powered corporate mom, is confronted by a homeless man that changes her life forever.

A short film based on a real interview with a kid survived the 2006 war on Lebanon.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

A woman is locked in her home with an egg, which she is both attracted to and scared of. She eats the egg, she repents. She kills it. She lets the egg die of hunger. EGG is a poetic short film based on a small yet significant moment of the director’s own life. It portrays a moment of shame, defeat and yet of victory.

The main narrative follows youngsters Al and Olive and their respective journeys towards saying those three words for the first time. However, the story is interspersed with inputs from different couples in evidently very different relationships.

In Dublin’s industrial wastelands, pre-teen Kylie drives around in a stolen car, indulging her troubled imagination.  Her grieving mother is distant and unaware until a young Guard apprehends and brings her home. He is lenient in his caution, acknowledging the family has been through a difficult time.

Warning children not to play near 'dark and lonely' water, a horror film style look and voice-over is used in this film to highlight the dangers.

As a funeral procession advances through a dusty town in the Paraguana peninsula, a young man rides his bicycle through the crowd. A beautiful woman stands apart from the crowd and gazes in wonder as the young man rides away. A child, the town's fool and the woman go after the Bicycle, each character with his own motivation. Enraged with indignation, the men also follow the cyclist through the town and onto the desert seeking to kill him.