Como en casa

A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.

The man, the hill, the shack.

When German police viciously quell a protest against the shah of Iran, popular journalist Ulrike Meinhof rebels against her dishonest marriage, walks away from her children and joins radical anarchist Andreas Baader. Together with Baader's girlfriend, Gudrun Ensslin, they form the violent Red Faction Army, and together perpetrate a slew of terrorist attacks as a way of disrupting the fabric of what they see as an increasingly fascist state.

A man's family brought back from the verge of death, he then discovers he can identify people who are about to die.

A nine year old boy named Joey, who after the tragic death of his father, begins to experience psychic powers such as allowing him to move inanimate objects with his mind, set things on fire, and even communicate with his dead father. However, not everything is good for Joey as his newly gained powers accidentally awake an evil supernatural force that is contained inside the body of an old ventriloquist's dummy that Joey found in an abandoned house. The supernatural Dummy shows similar powers to Joey's, and soon he puts the lives of everyone near Joey in danger as the evil Dummy has dark plans for Joey's special powers.

Obro the muscleman goes to Atlantis and sinks a death-ray king who knows the secret of immortality.

An immigrant love story set on a street corner.

Costante dies and leaves his wife Torella his computer discovery. Torella entrusts the disk to her husband’s friend Gervasio, a lazy man scorned by his family. Twenty years later, Torella tries to get back the disk but Gervasio, who has become rich thanks to the discovery, agrees to go to court over it and comes away the winner. He therefore summons divine misfortune: he loses his third son, suffocated by wealth; kills his wife in a blind rage; and is executed by his first-born son who, after a violent panic attack and reckoning with his conscience, chooses life.

A man is sick and he doesn’t show himself. Three people don’t go to visit him and they show themselves.

According to Muslim practice, burial ought to occur within 24 hours of death — so after Manny’s immigrant husband, Sameer, passes away in an accident, he is confronted by a representative of Sameer’s family urging him to sign the paperwork needed to ship the body back to Kuwait. Manny initially refuses, clinging to his rights as Sameer's husband, while knowing that with every passing hour, Sameer's family grows more infuriated. After an emotional climax, spurred on by the family’s homophobic claim that Manny and Sameer’s marriage was merely a green-card arrangement, Manny comes to realize that his objections won't change the fact that his husband died — try as he might, he cannot delay grief.

Moses searches for history into palletes.

A chilling short horror film about two young strangers waiting for the bus and getting entangled in the mysterious and terrifying circumstances around the bus stop.

The Pani company employs a dark-skinned supplier. The young Karim gets into a difficult situation through his work as a food delivery boy when he delivers to a customer who doesn't want to let him go. The boundaries between racism and helplessness become blurred and Karim has to decide: morality or compassion.

Two teenage couples are spending a weekend together in a house by the sea. When new feelings develop, the dynamic quickly changes.

Ha-jun always engross his friends love with his good looks. Min-woo, a close friend who is jealous of Ha-jun, summons a devilish ghost, but the ghost who fell in love with Ha-jun spends a hot night with Ha-jun every day. Looking at Ha-jun who looks happy after all, Min-woo is planning another curse.

Under the thumb of Nurse Baker, Nurse Maggie Collins struggles to care for the long-term residents of Moss Oak Manor, a home for the elderly. When good intentions are misinterpreted, Maggie must struggle to address issues of ambition and ethics.

The extremities of a middle-class being ramble on, reflecting poetically on the wretchedness of moderation.

A woman visits a personal stretcher, only to have unexpected objects pulled out of her body. A near silent witness statement to the reopening of invisible wounds in an abstract pursuit of healing.

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