Agapito Marazuela, la estatua partida

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

‘Get Better – A Film About Frank Turner’ was directed by friend Ben Morse, and follows Frank Turner and his band The Sleeping Souls for a year on the road, but the band swiftly came off the road – and Frank came off the rails before recovery.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

This documentary is a journey into our own fascination, a collection of portraits of folk musicians living in New England, and a study of the ground on which their music is founded. We listen to them as they tell their stories and play their music. First and foremost, Behind a Hill is a tribute to these musicians and a rare peep into the house parties and basement jams of New England, in the northwestern corner of the USA, with the vain hope attached that maybe you, the viewer, will grow as fond of the music as we have. When we first encountered these musicians, we were overwhelmed by the quality of their musical output. We were entranced by the melodies, harmonies, rhythms, and tempos and every other element that constitutes a song (or, as is often the case, a piece of abstract drone music, heavy feedback, or someone banging a steel pipe against a bag of dirt while chanting in a yet undiscovered language, or...).

Song is a story of the last Finnish rune singer and his pupil, and the comforting power of singing.

When the immigrants came to America, their cultures entered the "great melting pot." In Michigan's Upper Peninsula Finnish immigrants mixed their musical traditions with many other cultures, creating a sound that was unique to the "Copper Country."

Taken from the European tours organised for American blues musicians between 1962 and 1969, this release features performances by several popular blues artists, including: Big Mama Thornton, Roosevelt Sykes, Buddy Guy, Dr. Isaiah Ross, Big Joe Turner, Skip James, Bukka White, Son House, Hound Dog Taylor and Little Walter, Koko Taylor and Little Walter, Sonny Terry and Brownie McGhee, Helen Humes, Earl Hooker, and Muddy Waters.

Singer-songwriter Paul Simon had been on the cutting-edge of pop music throughout most of the 1960s and the '70s, first as half of the seminal folk-rock duo Simon & Garfunkel, and then as a well-received solo artist. But the rise of 1980s rock and new wave saw a decline in Simon's commercial success, and the singer responded by experimenting with different musical styles--most notably, world beat--that culminated in his adventurous 1986 masterpiece GRACELAND. The album's fusion of American folk-rock songwriting and buoyant South African rhythms not only broke new ground in pop music, but became Simon's biggest-selling solo record. This episode of the CLASSIC ALBUMS series examines the making of Simon's groundbreaking work through interviews, behind-the-scenes footage, music videos, and live performances of album tracks such as "Boy in the Bubble," "Diamonds on the Soles of Her Shoes," "You Can Call Me Al," and "Under African Skies."

BACK IN MY BODY is a short documentary about musician Maggie Rogers returning to Alaska, a place that has had a huge impact on her life.

Folk-jazz composer/arranger Arthur Verocai was born in Rio de Janeiro. He has created challenging arragements and compositions for Brazilian artists Jorge Ben, Ivan Lins, Leny Andrade and Gal Costa. In 1972 Verocai recorded a self-titled solo LP. It is a stunningly innovative effort. It puts Verocai into a rarified field with the heavy string oriented music of Charles Stepney, David Axelrod and Frank Zappa. Released in a period marked by the Brazilian military government, the album fared poorly. Following its re-issue in 2003, the album has become a highly influential oft sampled classic (see Ludacris, MF Doom and Little Brother). The performance of this seminal 1972 record in its entirety brought the capacity Luckmann crowd to a stand still. According to Verocai, 'he had never played the record, alive or dead!' His delight can be seen on the DVD. The music has been mixed by Verocai himself in Rio. History turned on its head and musical justice served.

A powerful account of the Kolbari covert goods traden between the Kurdish cities and towns of Iran and borders of Iraq. The film follows Hamid and Yasser over six years as they contend with the life threatening conditions they and their families have to face to survive. A rare insight into the plight of the Kurdish people, this is an elegant portrait of a marginalised people, where the palpable sense of risk and danger is contrasted with the gentle rhythms of family life under harsh conditions.

Marilyn wasn't born Marilyn, she became it. This unique portrait reveals her in her own words: a lucid and determined woman, shifting image of the diktats that still define feminity.

Filmmaker Evan Jordan, accompanied by his friend (it's complicated) Sophia Anderson, returns to his home state for the first time since the passing of his elderly grandparents and terminally ill uncle — where he revisits his bizarre past through archival footage, re-enactments, interviews with surviving family members and other parties, as well as a full paranormal investigation of the rural home where everything occurred all those years ago.

Fans continue to treasure the songs and performances of John Denver, one of the most popular recording artists of the 20th century. Before his death in 1997, Denver toured the world, landing in Birmingham, England, for the 1986 concert captured here. The sunny country star provides heartfelt renditions of many of his biggest hits, including "Take Me Home, Country Roads" and "Sunshine on My Shoulders."

O Retorno da Terra Tupinambá

A profile of the Hippest band of the 60's and 70's as they prepare for a reunion gig.

Since her debut at the age of 18, musician, civil rights campaigner and activist Joan Baez has been on stage for over 60 years. For the now 82-year-old, the personal has always been political, and her friendship with Martin Luther King and her pacifism have shaped her commitment. In this biography that opens with her farewell tour, Baez takes stock in an unsparing fashion and confronts sometimes painful memories.

Carracedo

Wild Honey

A conceptual short film starring Natalie Merchant as various archetypal female characters, plus a series of music videos from Merchant’s first two solo albums.