Tahrir 2011 : The Good and The bad and The Politician

The memory of Piero Portaluppi, a Milanese architect who reached the peak of his fame during the 20 years of the Fascist regime, comes back to life, both through the rediscovery of his work today and in a previously unpublished film diary in 16 mm, shot and edited throughout his lifetime. A man of great charm and power, Portaluppi lived through a grandiose but tragic era with ironic detachment, as if dancing across things as he created beauty. History marches on implacably, radically transforming the arena in which the eclectic artist and his large family lived and worked.

Filmmakers Sue Marx and Pamela Conn document the romance between Sue's father Louis Gothelf and Reva Shwayder, each in their mid-80s. Both artists and residents of the Detroit suburbs, they met on a group tour of England after being widowed, and quickly formed a strong connection over shared interests. The two discuss concerns over living together without being married; Louis also talks about his caring for his first wife during her ten-year struggle with Alzheimer's disease, while Reva talks about the deaths of two sons several years after her husband's death.

Silence - the stuff of assumptions and confusion - is a legacy inherited by many grandchildren of Japanese Americans interned during WWII. Shortly after Japan attacked Pearl Harbor, Masuo Yasui, a respected figure of Hood River Valley, Oregon was arrested by the FBI as a "potentially dangerous enemy alien." In A FAMILY GATHERING, Lise Yasui, a granddaughter that Masuo never knew, shows that courageous journeys into the past can bring greater understanding of family and personal history to the present.

Photographer Imogen Cunningham presents her own work in this Academy Award-nominated documentary.

This 1991 Academy Award®-winning documentary uncovers the disastrous health and environmental side effects caused by the production of nuclear materials by the General Electric Corporation.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

Meet Jack English, a 93-year-old legend who lives in a cabin isolated deep in the Ventana Wilderness. While on a hunting trip he learned that an old homestead in the Ventana Wilderness was being put up for auction by the estate of a childless heiress. He put a bid on the property and won. On the land he built a small cabin using materials from the land and milling trees by hand. When his wife passed away, Jack effectively left "society" and moved to the cabin full time.

Through the eyes of funeral director Isaiah Owens, the beauty and grace of African-American funerals are brought to life. Filmed at Owens Funeral Home in New York City's historic Harlem neighborhood, Homegoings takes an up-close look at the rarely seen world of undertaking in the black community, where funeral rites draw on a rich palette of tradition, history and celebration. Combining cinéma vérité with intimate interviews and archival photographs, the film paints a portrait of the dearly departed, their grieving families and a man who sends loved ones "home."

Romania. Seven years in the life of a family of believers, struck by the illness of a little girl suffering from spina bifida pass before the camera, with a polluted town scarred by unemployment serving as a background.

Même pas mal

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

Kawase tries to come to terms with her late father, whom she never knew when growing up, and contemplates getting a tattoo like his.

HBO stand up comedy presents Whoopi Goldberg and Billy Connolly

Naomi Kawase returns to the mountains of her feature film Suzaku and portraits the people that inspired the movie.

This French-Canadian co-production goes behind the scenes of the huge tobacco industry, whose economic power has been expanding for five decades at the expense of public health. A gripping investigation covering three continents, Nadia Collot's film exposes the vast conspiracy of a criminally negligent industry that conquers new markets through corruption and manipulation. To confront the tobacco cartel, anti-smoking groups are organizing and scoring points, but the fight remains fierce. With ist diverse viewpoints, shocking interviews and riveting images, The Tobacco Conspiracy deftly defines the issues in a complex situation where private interests and the public good collide. Enlightening and engrossing, this documentary is a hard-hitting critique of an industry gone mad.

Who We Were

Reveals the courageous lives of pioneer camerawomen from Hollywood to Bollywood, from war zones to children’s laughter, in a way that has never been seen before. Based on a book by Alexis Krasilovsky, the film tells the stories of camerawomen surviving the odds in Afghanistan, Australia, Canada, China, France, Germany, India, Iran, Mexico, the U.S. and other countries, as well as exploring their individual visions.

Reveals the history of camerawomen around the world, celebrating not only the survival of pioneer women in a male-dominated field, but a new generation of camerawomen's visions.

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.