Late Winter

An adaptation of Liu Zhenyun’s award-winning novel One Sentence Worth Ten Thousand, produced by Bill Kong. The novel, which won the Mao Dun Literature Prize after it was published in 2008, revolves around a divorced woman and her married younger brother and deals with loneliness and alienation in contemporary Chinese society. The film marks the feature debut of award-winning short filmmaker Liu Yulin, who is adapting her father’s work. A New York University film graduate, Liu’s short film Door God (2014) won a silver medal at the 41st Student Academy Awards and was selected by Cannes.

Khao Niao, a young girl, is left at her relatives' house by her mother. Although she is surrounded by familiar faces, she still feels very lonely and blames her mother for 'abandoning' her here. One day, while wandering around, Khao Niao finds a stray puppy.

A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.

The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.

Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.

After the death of her husband, silence and loneliness reign in this old lady's house. She made routine her best friend and faith her shelter. Only in her dreams she runs away from those four walls to a timeless magic land where the sea speaks without using words. Her days go by like this; between the real life and dreams… until a street dog comes to her door.

There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.

Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.

What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.

Praxis peels away the layers of narrative even as Brian, the film's axis, struggles to create his true self. Brian, a writer on the verge of a breakdown, is aided by Joe and an Elusive Woman as he sifts through the fragments of his persona to discover his true core. Fighting against fear and the indifference of society - aptly symbolized by the medical establishment - his quest reflects the classical mythos of Proteus and the human search for meaning in the universe.

Ukrainian sculptor who is taking wife's death hard acquires the hope to begin a new life after appearance of Iraqi refugee. He desires to fall in love not taking into consideration the rival of young soldier.

Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities.

Based on the novel by Jáchym Topol. Potok works as a set designer in a small theater. He is in his thirties and his life is essentially going nowhere. He views his surroundings and himself with contempt. His aimless life only changes when he meets Černá. The couple in love escapes from the city. Inevitably, however, they once again encounter human calculation, shallowness, and bad taste. Potok falls back into his former skepticism, which leads to the total breakdown of their relationship. Černá leaves him, and a desperate Potok slowly comes to a more conciliatory attitude toward the world, where there is no longer any place for great love and dark romance. Unlike Jáchym Topol's literary work of the same name, which takes place during the three years after 1989, the film ignores the time frame. It focuses on the hero's internal conflicts, which are timeless.

Left to her own devices during an August heatwave, a seven-year-old wild child and her companion have an adventure filled with squirt guns, cicadas and rain dances.

In this romantic tragedy, love drama, three stories are interwoven with characters that are trying to solve their emotional problems and unresolved relationships from the past during one night. Each of the characters survive their loneliness with others.

9th century China. Ten year old general’s daughter Nie Yinniang is abducted by a nun who initiates her into the martial arts, transforming her into an exceptional assassin charged with eliminating cruel and corrupt local governors. One day, having failed in a task, she is sent back by her mistress to the land of her birth, with orders to kill the man to whom she was promised – a cousin who now leads the largest military region in North China. After 13 years of exile, the young woman must confront her parents, her memories and her long-repressed feelings.

In an attempt to cope with his loneliness, Adam tries to build his own Frankenstein's monster.

Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.

Miko Uda works as an attendant for a merry-go-round at a shopping mall and as a mascot. Miko believes in people to the utmost but has been rejected by every man she has ever given herself to. Unable to become the only one for someone, Miko spends her days alone on the merry-go-round.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.