This unique feature-length documentary follows filmmaker Sean Langan's journey into the Russian side of the war in Eastern Ukraine, the only independent UK journalist to report from what is almost exclusively a hidden and otherwise inaccessible side of this conflict. In an intimate look at a side of Russia’s war rarely seen in Western media, Sean heads into the Russian-occupied Donbas region to find out through the eyes of soldiers on the Eastern front and civilians coping with war in the streets how the conflict is affecting them.
A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life...
Survivors tell the story of the Babyn Yar massacre from WWII, where some 100,000 people were massacred by German forces.
The new reality changes the usual life in the village of Babylon. Attempts to communize the small town are met with resistance from the rich people living in the town. The Red Army finally puts down the resistance. Amidst the resistance philosopher Fabian returns to Babylon and tries to prevent bloodshed, but he meets a tragic fate.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
While parents, people of traditional rural values, are cooking blood sausage for the visit of daughter-in-law, Andriy, their son, tries to communicate the fact his fiancee is Jewish.
Living in war-torn Eastern Ukraine Anna is an aging single mother who is desperate for a change. Lured by a radio advertisement, she goes to party with a group of American men who are touring the country, searching for love.
This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.
The story of the "Hutsul Robin Hood" Oleksa Dovbush, an 18th century Carpathian Mountains outlaw who's a popular figure of Ukrainian legend.
Young MMA fighter Yuliya has lost her boyfriend in the war in eastern Ukraine. She starts a new relationship to make her life move forward.
Ukrainian refugee Sofiy living in Edinburgh with a host couple Martin and Emilly becomes homeless when the couple who are struggling with the cost of living crisis is forced to 'kick' her out after six months of sheltering her in their study. Homeless and jobless, Sofiy finds a diamond ring in a public washing machine and her decision to do with the diamond ring becomes a life-changing move for her.
Twenty-five-year-old Vadym earns a living recording and selling all kinds of different sounds; nevertheless, he’d rather exchange his life in Kyiv for a better future in far-flung Canada. Thus, when he gets a generous job offer which might help him realise his dream, he jumps at the chance; he soon sets off to record the sounds of animals indigenous to Ukraine and also a rare bird native to the Carpathians. The situation proves somewhat more complicated when Vadym’s companion on the trip turns out to be his mother… To the sounds of a synthesized music score, debuting Ukrainian director Antonio Lukich unfolds a visually creative road movie, in which he demonstrates a highly unusual talent for constructing tragicomic situations.
Portrait of Volodymyr Zelensky: his beginnings as a comedian, his phenomenon series "State Servant", his ultra spectacular campaign, his election, his rivalry with Vladimir Putin... and his new status as the most admired leader in the world.
Eight months after the Chernobyl disaster, a Chernobylite woman that stayed behind to care for her sick mother gives birth to a mutated daughter. She wakes up after giving birth to find her mother gone. Masha, isolated and suffering from cataracts from the radiation exposure, becomes fearful that soldiers will take her contaminated baby. While attempting to reunite with her family in Kiev, the blinding mother and infant become lost in a forest. Masha sees a figure chasing her and believes it's a soldier that wants her child.
Based on a true story. Two fighters of 'Donbas' Volunteer Battalion get locked inside city of Ilovaysk after regular Russian army enters Ukraine and shells the surrounded divisions of Ukrainian Army in the infamous would-be 'green corridor'. The fighters survive thanks to the help of the locals and manage to break out through the front line to reach the freed territory. Taras Kostanchuk who is playing himself as 'Beshoot' is that same Donbas commander who is the prototype of the story. Half of the actors and extras are real 'Donbas' volunteers who survived the battle.
The heroine lives in Kyiv in the present and sees dreams with the recurring motif that takes place eighty years ago. In these dreams, she searches for her home and waits for her beloved husband. The dreams are permeated with fear and the foreboding of a war that could leave her without a husband and home. The film was conceived as a psychoanalytical visual essay on how a subject who has experienced loss tries to assemble themselves from splinters: fragments of memories, dreams, bodily sensations - to find this new self-image 'on the other side of the mirror' after the Other has disappeared.
Traumatised by her daughter's death a Ukrainian nurse takes retribution, but is conflicted by her faith and unprepared for the consequences.
A revealing and moving portrait of lives compromised by war, filmed exclusively by Ukrainian soldiers with extraordinary access to a tightly-controlled frontline.
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?
When Mostafa arrives to Ukraine, he witnesses the kidnapping of an Egyptian scientist. Eventually he gets involved in rescuing him, in a country he knows nothing about.