The Happy Children

In the worst part of town, a mysterious presence obstructs Joan from leaving the parking lot.

When the self‑absorbed Emperor Kuzco is accidentally transformed into a llama, he must rely on a humble villager to survive the jungle and reclaim his throne.

A solitary cat, displaced by a great flood, finds refuge on a boat with various species and must navigate the challenges of adapting to a transformed world together.

A mother calls for outside help when her son begins misbehaving.

Based on episodes of the series "Moomin Stories", the Moomins reminisce about the fondest moments of their lives. Moominpappa reminisces about his childhood; Moomintroll reminisces about how he, Sniff, and Snufkin set out to find out if Earth was truly threatened by a comet; and Moominmamma reminisces about the incredible visit of aliens from outer space.

The film tells the story of the Moomin family's preparations for winter and their hibernation, interrupted by unexpected events: the appearance of the mischievous Nibling, a visit to Too-Ticky, who lives by the sea, the adventures of Little My, rescued by Moomintroll, the exploits of the Hemulen, a sports enthusiast, and so on. The story ends with the arrival of spring, the awakening of all the inhabitants of Moominvalley, and the return of Snufkin. The film is based on episodes of the television series "Moomin Stories".

The magical world of "Samadhi" is threatened by the evil forces of Ravenal and Sifu sends out three teenage boys to journey on the Magic Temple. Jubal, Sambag, and Omar, each with their own unique power battle the threat to the world of Samadhi and along the way face many extraordinary things. The boys are sure to face a huge battle ahead of them but with the help of magical creatures they met along their journey, evil is eliminated and they learn the true value of camaraderie and believing in themselves to face any problem.

Os Quatro Desejos

When a young girl's fascination with her new tablet threatens to discard her beloved toys, a group of plastic figures must unite against the malevolent, digital entity that is stealing their owner's attention, leading to a desperate, violent battle for survival and relevance.

Aurelio is an eight year old boy whose mother is very sick. One night, he sees her crossing a door, when he follows her, Aurelio finds himself in the world of the dead. There, he finds "La muerte" (The death), who then becomes his mentor and helps him finding his mom. When he finally finds her, he must decide whether go back to his world or stay there with his mom.

Monsters under the bed are scary enough, but what happens when an entire house is out to get you? Three teens aim to find out when they go up against a decrepit neighboring home and unlock its frightening secrets.

Sometimes the only way to safety lies on dark paths....

In order to have the perfect sleepover, Miles needs to 1: get his feuding friends on board 2: get his mom's (and her boyfriend's) permission and 3: find a copy of his favorite open-world sandbox fantasy video game PIXELWORLD

In a quarantine period, the false stability of a couple will break down when a child knocks on their door asking for help.

The PJ Masks can't wait to use their PJ Vehicles against Carly and Cartoka. But as a result, they don't work well with Newton or their PJ Animals.

Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

A depressed wife and mother whose reality is starting to fracture into fantasy, drives her children to the beach. On the return journey she stops at a service station to fill up with petrol. Four mechanics eye her off and, as one of them walks towards her car, a full-blown erotic fantasy develops.

After her mother comes back from an extended hospital stay, a young girl begins to envision an ominous monster lurking in her home.

A little girl decides to expose the monster that haunts her every night.