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The Living Room of the Nation is a documentary film that portrays a number of Finnish living rooms. The film is a story of changes, the inevitable passing of time, and the human desire to be needed, visible.

A corporate lawyer is caught in a love triangle with an ambitious cabaret singer.

Finding love is never easy. For Ravi Patel, a first generation Indian-American, the odds are slim. His ideal bride is beautiful, smart, funny, family-oriented, kind and—in keeping with tradition—Indian (though hopefully raised in the US). Oh, and her last name should be Patel because in India, Patels usually marry other Patels. And so at 30, Ravi decides to break up with his American girlfriend (the one who by all accounts is perfect for him except for her red hair and American name) and embark on a worldwide search for another Patel longing to be loved. He enlists the help of his matchmaker mother, attends a convention of Patels living in the US and travels to wedding season in India. Witty, honest and heartfelt, this comedy explores the questions with which we all struggle: What is love? What is happiness? And how in the world do we go about finding them?

Klaus Schulze - Big In Japan

When troubled teen Ray Klonsky began writing letters to prison inmate David McCallum, both of their lives changed forever. Hundreds of letters later, Ray graduated from university determined to set his wrongly convicted friend free.

A short essay on the hidden realities beneath the surface of Shanghai.

Several comic greats pay tribute to the legendary stand-up stage founded by Budd Friedman in 1963.

Jamiroquai - live in Sydney - new year's eve

Demain Sera Meilleur

Veraneio: Uma Antologia Negra

The 2022 concert for the Musical Touken Ranbu series.

It arises from the nostalgia for a place that witnessed the growth of two generations, but is now abandoned, awaiting its prompt demolition.

「Touken Ranbu：The Musical “HIGEKIRI HIZAMARU DUO PERFORMANCE 2020 ～SOGA～”」 is a performance by Higekiri and Hizamaru. In Part 1, the musical,「The Tale of Soga」, which is known as one of Japan’s 3 Largest Vendettas, was performed. In Part 2, the live concert portion, the 2 sing a total of 12 songs as well as new songs written for solely this performance, and songs performed on previous Touken Ranbu：The Musical performances. In order to prevent the spread of Covid-19, the audience capacity was limited to 50%, and the usual call and response interaction with the audience was cut. Nevertheless, the performers were welcomed with hugely enthusiastic applause from their fans.

On October 18 2019, a student uprising was triggered in Santiago over the Chilean government’s increase in metro fare. As the country awakens to the unrelenting abuse of power enacted by a neoliberalist government, and a mistrust in the political class intensifies, we follow Angy and Felipe—two parents who embrace their new roles as activists and enlist in the expanding movement that is fighting for a new Constitution and a just society.

Fenda

Experience Yosemite's incredible wonders with breathtaking cinematography, including such icons as the granite monoliths El Capitan and Half Dome, and the spectacular Bridal Veil and Yosemite Falls. Learn about Yosemite's fascinating history as the first land set aside for preservation that inspired John Muir and photographer Ansel Adams and discover why Yosemite is one of America's Crown Jewels.

With an empathetic and intimate lens, veteran filmmaker Denys Desjardins captures his elderly mother's experience of neglect in Quebec's healthcare system and his sister's fight to secure her an acceptable long-term care solution.

Elena, a Tsotsil Mayan woman from San Andrés Larráinzar, Chiapas, is appointed Municipal Trustee by a purely male community assembly.

Salome, princess of Judea, the daughter‑in‑law of King Herod, finds life in her father‑in‑law’s palace dreary. Her curiosity is roused when she hears the voice of Jochanaan, a prophet held prisoner by Herod who is afraid of him. Obsessed by this enigmatic and virtuous man, Salome is ready to do anything to possess him, dead or alive. Drawing on Oscar Wilde’s scandalous play of the same name, in 1905 Richard Strauss produced the work that was to ensure his status as Wagner’s successor in the history of German opera. A dazzling hour and forty minutes, decadent in its very essence, which, for her debut at the Paris Opera, Lydia Steier treats as a dystopia in which amorality rules.