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Two instants separated by 99 days conflict with each other.

The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.

A documentary that threads on the hidden conundrums in the deaf world. Within the deaf and the hearing world is a fine line - so what's it like to live within as an in-betweener?

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

A short documentary on how people view art and its value in today's society.

Peyangki is a dreamy and solitary eight-year-old monk living in Laya, a Bhutanese village perched high in the Himalayas. Soon the world will come to him: the village is about to be connected to electricity, and the first television will flicker on before Peyangki's eyes.

Ženy v uniformě

Ľudia a telefon

The Odd Monk is a personal journey through modern day Buddhism. German first time Filmmaker Jesco Puluj travels around the world, meeting a variety of monks and nuns to discover the essence of Buddhism.

In 2014, Tsai Ming-Liang was invited to make a film for the MarseilleFID, Marseille International Film Festival. Since he was not familiar with Marseille, he decided to make a film as tourist, capturing the beautiful Mediterranean sunshine in the late summer of that year. He also invited famous French actor, Denis Lavant, to appear alongside Lee Kang-Sheng playing Xuanzang. "Journey to the West" was invited to be the opening short film at the Berlin International Film Festival the same year.

CERN, or The Factory for the Absolute

A reporter for a fictional television station, originally from Ukraine, travels around Slovakia and asks people at memorable places questions about the nature of fascism and the soul of the Slovak nation. The documentary essay seeks to capture the shape of a society on the fringes of the political spectrum through the words spoken and the images of crowd scenes.

Four monks, a royal scholar, and their American guru are fighting to save Bhutan's sacred arts while learning the art of letting go.

Buddhist monks open up about the joys and challenges of living out the precepts of the Buddha as a full-time vocation. Controversies swirling within modern monastic Buddhism are examined, from celibacy and the role of women to racism and concerns about the environment.

Director Tereza Tara fell ill at the age of twenty-five. She captured her ten-year-long journey to recovery, which took her deep into the past and to the edge of the abyss, in the form of a personal and poetic video diary. With her weakened kidneys, she visited doctors, psychosomatic experts, and an alternative healer who urged her to surrender herself into the hands of God. Gradually, she began to see the condition of her dual organs as a reflection of her unbalanced relationship with her mother, her partner, and her own body. She finally understood that if she wanted to find a cure for her diseased kidneys and start living a better life, she needed to understand herself better first.

The film poem about pesticides reflects on the return to the natural food chain, in which insect pest serve as food for the higher order. The harmonic cycle of life and death, the temple that is the wildflower field resounding with the inebriating sound of crickets chirping and wheat spikes rustling in the wind, is invaded by the human, the ultimate consumer with no natural predator.

Through rhythmic re-composition of fragmented images, semi-surreal situations are explored in a documentary style of observation of a man's obsession with a powerful animal, the black horned bull, and the Spanish process of taxidermy through which he attempts to embody its beauty and strength, turning into a Minotaur. The subdued basement space in which the man meticulously studies the motionless flesh of the animal is preceded by a sunlit, empty arena in Spain, the stage in which the bull is presented in its full glory before facing man.

Elen Řádová and Tomáš Mašín’s student work draws on the genre of action films, which are characterized by emotionally intense and violent scenes. Excerpts from period blockbusters are supplemented with visual effects and edited in a way that drives the particularities of the action film genre to the point of absurdity. The resulting visual whirlwind thus deliberately escalates—and thereby diminishes—the dramatic impact of the original footage.

For the first time in the history of Korean Buddhism, nine monks ceased hostility by staying in a tent throughout winter. Inside the cold tent, ninety days of meditation begins with seven strict rules. Crisis comes to the monks who had to endure the tent without a heater, and with only a single set of clothes, and a single meal a day, but never once did they groan.