Testament

The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.

If It’s Not Now, Then When? mostly takes place in an apartment inhabited by three members of a family (though never at the same time): mother Pearlly Chua (from Tsai Ming-liang’s I Don’t Want to Sleep Alone), daughter Tan Bee Hung and young son Kenny Gan. Their father seems recently to have died. The mother leaves early and returns late, out on long walks in the park with a lover whom the daughter and her best friend try to spy on. The daughter pecks away at a computer at work and has a desultory affair with her married boss, which he carries on between his business and family phone calls. And the son breaks into cars and “recycles” the electronics he finds.

Cheng Sanhe, the first "Kanu" who successfully filed for bankruptcy in Taiwan, went from being inexplicably indebted at the beginning to realizing that he had already owed millions of debts. The bank's collection and the finance company used threats and intimidation to collect debts. Sanhe has since fallen into the hell of "using cards to raise cards". Taiwan’s first "card god" Yang Huiru, who successfully profited from banks with bonus points, used the loopholes in bank bonuses to successfully connect relatives and friends to purchase tickets or shopping station goods by swiping cards, and then use online auctions to earn the difference. Earning millions in the bank, the bank stopped using credit cards. Yang Huiru, who has also experienced personal pain, persuaded the card slaves to face reality: "Hurry up and cut off the card! Because the interest is too heavy, don’t think about borrowing another cash card to pay off the card debt. It’s getting deeper and deeper."

One day in June, a man appeared on the scene. He went on a blind date with a woman and a woman's man, yet for the meal, he used the carrots that his wife asked him to buy in the morning. He had nothing to do, wandering in romance and the opposite of romance, wandering between the authenticity and vanity of life, until, he made a decision: revitalize China.

It is recommended to watch "Catch the Ghost" first, then watch the film. On the third day of the first lunar month, in Dongchenlou Village, Yuncheng County, family and nephews gathered. Hengxin concealed his parents and started a drinking contest with his brother.

Four college students from Shandong University of Technology planned to make a documentary about the folk culture of ghosts and spirits. They went to a village in Heze City, Shandong Province, and made some interviews with local villagers. During the interviews, they heard a lot of local weird tales. The shooting of the documentary went smoothly, and that night, they chose to stay in the village. At this point, strange things, however, began to happen...

On the 29th lunar New Year's Eve of the twelfth lunar month of a certain year, it was getting late in Guangzhou. A trance-looking boy drove through the urban jungle, wandering alone on the streets, waiting to meet his girlfriend a few years ago, expecting a result to happen. In an old town, a middle-aged woman brought a girl along the street to beg for food. At the gate of a certain community, they encountered a middle-aged man who was driving around after drinking and eating. The man invited them to have a barbecue at a roadside stall and made a suggestion. In a hospital, two security guards were bored at the gate. After work, I decided to go to a certain village in a city and village to win money after work. Unexpectedly, the night was getting thicker and the flow of people was surging. The Spring Festival Gala is going on grandly, and the air is full of noise and anxiety, three realities Event, tearing apart the absurd reality of the crazy city•••

In the noisy urban village of Guangzhou lived a young man who made his living peddling drugs to medical staff. One day, at a hair salon near his home, he met a hair salon girl who never received patrons. They gradually became familiar with each other, and he learned that the girl had a boyfriend who was a security guard in Dongguan.

A boy with horns gathers a group of Cosers, each armed with the same traditional woodworking tools, from the grocery store, the old cathedral, the gatehouse, the forest, the farmyard, the electric mahjong parlour, the old castle and so on. At midnight, with clumsy labor, they made a huge cross.

One boy, one girl. One close space, one silent night. What is the relation between them? The great works in art history structure, influence their relations, and show us something. At the same time, the boy and the girl convey their experience and taste on these works. Usually, a boy and a girl will make love to end a scene or a film, but it didn’t happen. It seems that they spend the night clearly, but the tomorrow is still unknown.

A poet's rhapsody of doom.

A day of Xiaoyang, the curator of a village church. Xiaoyang and her husband have just registered their marriage, but they cannot hold a wedding in the church for her husband is not a Christian. Before the wedding, she is waiting for her husband’s baptism.

Graduate student Yi-wen gets on the wrong train and meets a former classmate from her past, Wei-chiang, who is now a university lecturer. The two alight together at the same station when they both find themselves having boarded the metro headed for the wrong direction. The two end up going to dinner and bumble about in awkward, fair-weather catching up when they both realise something about themselves that they have never openly admitted over the years.

Two friends reconnect at their childhood haunts in the heartlands. As the night lengthens, their conversations draw out their sense of entrapment within the city, and how far removed their present selves have become from fleeting childhood aspirations.

A young Chinese couple struggles to adapt to their new home and grows increasingly estranged from one another and from their surroundings.

What does marriage, love, intimacy mean? What should they be? Stella met his long lost lover by chance. He lived in a marriage maintained by lies and interests. Stella began to try to explore the possibility of a promising relationship with him. She questioned marriage and most hopeless relationships, but she was frustrated again and again in the process. Cast

Hypothesis Voyager is a road trip film that weaves social theory with a trip to the west of the United States.The video opening with a gallery social scene through the viewfinder, point out the first-person view that associated with the spectator. Then the story turns into discovering the history of the first human shelter that held the social events. Through the shift of the way we see art, the narrator travels us to the gallery and the loop we all faced. To escape, the time froze, the artist takes a deep look into the story of volcano mt. Vesuvius and sees the crater from a historical and mythology perspective of how it formed. The artists' camera becomes the vehicle voyage the viewer through time and space. The narrator travels the audience with her emotions that served as the passages connect each chamber by making the tour and detours.

Tian Yuan and Da Bing were brothers who had been in contact for many years. They gradually alienated but at the same time fell in love with a girl who dances like a nightclub. In the entanglement of love and brotherhood, youth ends in a group fight for their love. . Love and hatred, like smoke, silk, and thread, became the past...

An Ling is a successful writer of romance novels. What is unknown is that all of her novels were written by her deceased mother but published under her name. The publisher urged her to write her seventh novel, but she had no romantic relationship before and was not good at writing. When she was involved in a production, she met an actor, Zheng Yuan, and had an affair with him. An Ling got what she wanted, but she didn’t know how to handle the conflicting feelings she had deep inside. The story was inspired by something that happened in the intoxicatingly beautiful spring of 2016. This was my last film during my undergraduate years. I always wanted it to be completely engraved with my personal imprint and represent all my style preferences. So then I began to construct the story, a proud but timid woman with secrets in her heart and a group of hilarious mundane people, what would happen to them in a mountain forest surrounded by mist and fog…

In Southern Beijing, a father and his son who relied on each other were struggling to live, and two daughters wanted to seize their father's retirement expenses for their own personal gain. And misfortunes came one after another. The 60-year-old demented son was deliberately abandoned by his brother-in-law, and the young tenant went astray for so-called love. Life was getting tougher. In the constant struggles, the 90-year-old father felt hard to bear the burden of life, and wanted to end his life with pesticides with his son. The film ends here and leaves the suspense, in which the cold-bloodedness and fetters of kinship are vividly displayed. The feeling of powerlessness goes straight to the hearts through screen. Two people’s lifetime adding up to 150 years come to an abrupt end.