'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.
This film, directed by Dominique GAUTIER, takes the viewer on a worldwide excursion into the history and structure of the Esperanto language, introducing its present-day speakers. The words of these users of the language are reflective of a variety of activities and viewpoints, and in the film they are interwoven so as to reveal bit by bit how the utopia of its initiator, Ludwig ZAMENHOF, is concretised every day.
The film starts in Bermeo and ends in Gernika. A magical trip taking us from the scent of salt air and the fishing atmosphere of Bermeo port to the roots of the Tree of Gernika.
An event organised by CND pits the bomb against poetry. Hear artists who hoped that words and rhymes could put an end to destructive times.
Plena Rondo
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
Historical leaders of the PSOE, among them several former ministers, lambast the political legacy of Pedro Sánchez, President of the Government of Spain.
The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.
The turbulent history of the twenty-five years during which, in the midst of Franco's dictatorship, Spain was turned into an immense movie set on which many foreign production companies shot dozens of films, from westerns to historical epics.
Kingdom of Castile, 15th century. A group of nobles, who question the dynastic legitimacy of Princess Juana, daughter of King Enrique IV, conspire with the purpose of overthrowing him.
In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.
The story of the creation of The Spirit of the Beehive, a film directed by Víctor Erice in 1973.
The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.
The tragic fate of Juana I of Castille, Queen of Spain, madly in love to an unfaithful husband, Felipe el Hermoso, Archduke of Austria.
When a young couple buys a contested home at auction from the U.S. government for $5,400, they become involved in a political and moral battle much larger than what they originally bargained for.
Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.
Based on a true story. In the 70s, during the last stages of Franco's dictatorship, Txema, a basque construction worker, is arrested because of his connection to some terrorists who have just committed a murder. The secret service see in him an ideal candidate to infiltrate the terrorist band ETA and become a mole, so they try to offer him a deal if he will do so.
In this documentary, we travel to the main locations where the musical movement known as "Basque Radical Rock" exploded, emerging in the Basque Country and Navarre in the 1980s. It recalls bands from that era, such as Cicatriz, Zarama, RIP, Eskorbuto, and Kortatu, and interviews some of its leading figures.
A documentary about Basque Radical Rock. Its name comes from a song by the well-known and successful band Hertzainak, which is also referenced in the documentary, along with the work of other rock bands and singer-songwriters. The documentary features interviews with musicians who played rock from mid-1975 to 1990. There are 23 interviews in total, with musicians from bands such as Barricada, Hertzainak, Itoiz, Zarama... In addition, the documentary includes spectacular images from that period, as the rock boom was linked to different movements in the Basque Country: gaztetxes (youth clubs), free radio stations, and fanzines. The documentary is a portrait of the youth who had just emerged from the dictatorship.
On June 14, 1977, the eve of the first democratic elections after Franco's regime, Llorenç Soler and his crew go out into the street and ask passers-by which party they are going to vote for.