Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.
In nine completed scenes, the saga explores the two hundred year history of the House of Staufen, whose rulers shaped the history of the Duchy of Swabia and the Holy Roman Empire. Count Friedrich von Büren and his son Duke Friedrick open the play. Duke Friedrick's son King Conrad III, Conrad's nephew Emperor Friedrick I Barbarossa, his sons Emperor Henry VI and King Philipp of Swabia and then Henry's son Emperor Friedrick II continue the dramatic events. With Frederick's son King Conrad IV and his son Duke Conradin, the glorious dynasty comes to an end.
A young girl pretends to be the deceased granddaughter of an ailing grandmother soon to celebrate her birthday. The aged woman does not know her granddaughter has died; thinking she has only left, and the young girl, with her remarkable resemblance, is asked by the family to accompany the grandmother in her last days; posing as her granddaughter in order to cheer her up for her anniversary. The young girl suddenly experiences horrific visions of the dead granddaughter, and her life is threatened when the rest of the family suddenly conspires to kill her. Now in danger, she seeks the truth about the dead girl, while slowly succumbing to insanity as illusion and reality merge.
An outlaw pushes the residents of Edo's red light district to rebel against a growing number of stifling, moralistic laws.
A raucous, angry exorcism of relationships and assorted fears, shadowed by the Big One: the plague of AIDS.
People in the future live in a totalitarian society. A technician named THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to make puppets out of people. As THX is without drugs for the first time he has feelings for a woman and they start a secret relationship.
When Ruby and Rhett's parents are killed in a car accident, their carefree teenage lives are suddenly shattered. Moving to an incredible house in Malibu with the Glasses', old friends of the family, seems to be the beginning of a new life for them.
Archons is the story of falling-from-grace rock group, Sled Dog, half a decade after the release of their hit single, Backfire. After a chance encounter with rock-legend and life-long idol, Emerson Gilmore, Eric is willing to take one more chance at success, the way Emerson Gilmore did it back in the 70s—out in the Canadian mountains with a guitar and a bag of psychedelic drugs.
Live theatre presentation of Shakespeare's classic play about two teenagers from warring families whose love affair ends in tragedy.
A teenage girl spends her afternoon cooking. She is alone. Or isnt't she? A student short film shot and completed entirely from afar due to Covid19 restrictions.
Měšťáci
During her Christmas holidays with the royal family at the Sandringham estate in Norfolk, England, Diana decides to leave her marriage to Prince Charles.
The life and experiences of Susanne Brink, an adult Korean adoptee from Sweden who suffered abuse and racism in her adoptive home and country.
Based on the true-life story of teenage bride Candra Torres who was abducted in 1976 while on a honeymoon camping trip in the High Sierras.
Balladyna
Thousands of dollars in debt, Kyle Baxter receives a survey in the mail asking for his input on a series of questionnaires in exchange for a couple hundred dollars. Looking to better his situation, he agrees, but soon finds out that he signed up for more than he anticipated.
Les étés souterrains
Transición
The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?
A mysteriously injured young woman is looked after by a troubled ex-soldier in his secluded cabin, becoming trapped in a strange and disturbing cycle of danger and abuse.