Bellingham’s Belief

Seong-ah, the main character who lives in a camp at a welfare facility in the cathedral, is given a confession and is given a continuous service (a practical task for atonement given by the bride after confessing). She tries her best to perform penance, but it doesn't work out as she wishes. What is wrong with her?

An approaching loss threatens the of a middle-class family, whose dark secrets gradually come to light and begin to gnaw away at the family members - literally.

An MI5 double agent is forced to stop his brother's gang from committing an insurgency on the British Government. But does the love for his brother outweigh a conflict of beliefs and ideals?

Tubby is a fat cat who has lived in the adoption centre since forever. Tubby is desperate to get out of there. One day, he saw a tv ad that skinny cats are in trend and getting many demands from humans. Tubby is determined to lose weight as it is the only way to attract humans to get him the ticket out of the adoption centre. Will Tubby finally get the adopted if he gets skinny and escape the jail-like adoption centre?

True story about a rape victim who took a stand that rape is never the victim's fault and inspired many other victims who felt shame about what had happened to them to speak out.

Short discussion between two friends about a strange man they used to know.

A short film about a small town where the past and the present are difficult to tell apart.

Pies y corazones

A young man is invited to a famed CEO's home for dinner, hatching a desperate and sinister scheme that does not go as planned.

The Boy with a Camera for a Face is satirical fairy tale about a boy born with a camera instead of a head, whose every moment is transformed by the fact he is recording it. Accompanied by a voice over narration read by Steven Berkoff, the film tells an epic story in fifteen minutes about the way we live today.

Therapist Tess falls for widowed professor Paul, who's having an affair with Carla, one of her patients. Tess turns a dangerous page when she uncovers that Paul is not only the root of Carla's emotional turmoil, he also murdered his wife in order to be with Carla.

In conversations with passionate sociologist and political thinker Jean Pichette, the filmmaker views the forced downtime stemming from the current crisis as an opportunity to rethink our modes of existence and our relationship to others, nature, science, the economy, art, politics—in short, everything that makes us human.

Two rival martial artists meet up after years apart.

Footage yarn sliding over trees, fields, buildings, bulldozers, power lines... while a monotonous hum exacerbates the images.

A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dans la vie d’Andrei Arsenevich'.

Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.

An Emergency Services Operator in a Fire Control Room has just started a long night shift when she picks up a call from a desperate young mother. An hour previously, Gemma had fallen asleep in front of the television and has now woken to find the room full of smoke. Her three year old son is trapped in his bedroom upstairs. Flames have started to creep down the stairs that Gemma must use in order to reach him. The operator’s guidance is all that Gemma can rely on in order to survive.

Fact-based story about the controversial conviction of Dr. Sam Sheppard (Peter Strauss) for the murder of his wife in Cleveland. The story picks up with his conviction and concentrates on his son's (Henry Czerny) efforts 40 years later to find evidence that his father was innocent of the crime. The story was the basis for the film and TV series of "The Fugitive".

After Diane Martin is raped by a hitchhiker and becomes pregnant, she must face the pious faculty at the school where she teaches who condemn her "loose morals" and ostracize her. Based on a true story.

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.