Window of Convenience

A popular high school hunk Johnny takes a late-night dip with cute loner Ben. Fifteen years later, these two men — who haven’t seen each other since a late-night tryst in high school — bump into each other unexpectedly.

A young boy fights to protect his family from the monster that lives inside his wardrobe.

In the midst of a deadly outbreak, a man returns home in search of family.

A couple's attitudes are challenged when their daughter brings home a fiancé who is black.

Amalia, a girl of thirteen, gets her first period one day before leaving for the seaside with her parents.

Ernie Cranshaw is a seventy eight-year-old man and is deeply scarred by a terrible past who lives alone in his humble ranch home. After a mysterious stranger points out to him that a theater is offering free movies before closing its doors for good, Ernie Hesitatingly makes his way to the theater through a rainy night, but what lies in it can bring him to the edge of madness.

Some things must die to live.

Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.

Dance and prostitution play the same role for Cristhian’s body. Virtuosity, desire, technique, and sex intertwine, granting coherence to a way of life that offers many answers to few questions. A leitmotiv that reconciles opposites and contradictions. Answers that are sometimes painful, like all truths.

Kerry is a train driver and on sick leave due to a trauma at work. While roaming the train network to make sense of her tragedy she meets a man who understands her and knows what she needs.

Quand elle tombe

Rome. Claudio is 15 and wants to be part of the clique. He admires the 18-year-old leader Lauro. If he wants to fit in, he has to lose his little boy smell and learn to smell like a man.

When Sergio’s little sister asks him for the definition of sex, he revisits a memory from years ago, in which he discovers a secret in his family.

Two friends doggedly build a mysterious artefact in the forest, the function of which remains unclear until the very end. INSIDE starts with a shot of a burnt tree stump in a forest. Materials are gathered. What are the various branches, stones and pieces of grass for and what will the silent activities lead to? INSIDE slowly uncovers an act of human solidarity. The camera hovers around two boys, ramping up the tension, and is supported by an excellent soundtrack.

A young criminal plans his first murder which will be carried out before an old man, his plan does not go as expected and takes a 180 degree turn.

Along with vegetable and sea life, the camera is but one element of a sensual ride along a coastal road and playground in this masterful short.

After a tragic loss, Ivan becomes obsessed with the personality of the elephants, which they say, never forget.

A teenaged girl and her father are living their lives in a crashed spaceship, separated by a pane of glass. She begins to receive static-crackled radio messages from her mother, whom she long believed to be dead.

The hands of a puppeteer control the bodies of two dancers who compete with each other.

Jimmy Arnaud eulogizes his mother.