O Grande Irmão: O Dia que Durou 21 Anos 2

The War on Disco explores the culture war that erupted over the spectacular rise of disco music. Originating in underground Black and gay clubs, disco had unseated rock as America’s most popular music by the late 1970s. But many diehard rock fans viewed disco, with its repetitive beat and culture that emphasized pleasure, as shallow and superficial. A story that’s about much more than music, The War on Disco explores how the powerful anti-disco backlash revealed a cultural divide that to some seemed to be driven by racism and homophobia. The hostility came to a head on July 12, 1979, when a riot broke out at “Disco Demolition Night” during a baseball game in Chicago.

Manoel Lisboa: Herói da Resistência à Ditadura

The Incas appear out of nowhere and within a few decades their empire develops into the largest empire in the world at that time. Until today the Inca are surrounded by an aura of mystery. How could their meteoric rise take place in such a short time? And how did a handful of Spaniards succeed in bringing down the empire?

L'échec du rideau de fer ?

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

Le mystère des reliques de saint Pierre

Entre aulas e barricadas: dez anos das ocupações das escolas na cidade de São Paulo

A documentary that explores the myth behind the truth. Different people around the globe reinterpret the legend of Che Guevara at will: from the rebel living in Hong Kong fighting Chinese domination, to the German neonazi preaching revolution and the Castro-hating Cuban. Their testimonies prove that the Argentinian revolutionary's historical impact reverberates still. But like with all legends, each sees what he will, in often contradictory perspectives.

A documentary about the United States Military Academy at West Point that conveys the vibrancy, sense of fraternity and fierce loyalty that mark the West Point experience.

Tudo é Irrelevante. Hélio Jaguaribe

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.

On November 13, 2015, the attacks in Paris and Saint-Denis, carried out by three Islamist commandos and claimed by ISIS, were the deadliest in France since the end of World War II. In the months that followed, the November 13 Program was launched by the CNRS and Inserm to study the construction of individual and collective memory around an event that profoundly marked French society. Today, the testimonies of 27 volunteers—among some 1,000 people—who participated in the study form a mosaic of experiences that shows how trauma extends beyond the immediate circle to permeate the national collective memory.

During the last argentine military dictatorship, the Army developed a systematic plan for the abduction of children, with maternity wards inside the clandestine detention centers. This film proposes itself as a trip to the truth "to bring to light the places where lots of babies saw the light for the first time"; Three restored children show the part for the whole :how a genocide was orchestrated,a scheme which planned the deprivation of identity of babies born in captivity, children of illegally kidnapped and detained women.

In this feature-length documentary film essay, archival footage weaves together childhood memories from once-opposing sides on the Gorizia border to rethink—80 years after WWII, and amid renewed calls for rearmament—the meaning of home and belonging.

A Russian-Australian cinematographer travels to Albany to find out about the time when a 19th Century town at the end of the world was put on high alert of a Russian invasion.

On November 25, 1973, the first of four car-free Sundays transformed West Germany's deserted highways into spaces for walking, cycling, and horse-drawn carriages, while towns and cities took on a festive atmosphere. Introduced during the oil crisis to conserve fuel after the Arab oil embargo and production cuts following the Yom Kippur War, the measure became an unforgettable collective experience. Beyond the immediate energy shortage, the crisis marked a turning point, ending the postwar economic boom and encouraging greater awareness of energy use, consumerism, and environmental issues.

Z vôle ľudu zrodené

Revealing the flaws of Japanese society, the 1995 sarin gas attack in the Tokyo subway prompted Murakami to return to his homeland, whose conformism he rejected, to examine it closely. This led to the creation of two works: Underground and 1Q84.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

O Pasquim: A Subversão do Humor