Autumn, Winter and Summer

Zhang Ming went back to hometown to visit his aunt.

Some memories from a painter.

What happens when 300 lesbians from around the world attend the largest United Nations conference? How did two busloads of lesbians headed to an underground nightclub help spark the birth of a lala (LBT) movement in China? At the 1995 Fourth World Conference on Women in Beijing, the first ever lesbian tent at an UN NGO Forum was created. Emerging from hidden shadows of shame and invisibility, Chinese lalas began a hard-fought path of deliverance from themselves, from family, and from an apprehensive environment. In doing so, they sought empowerment and change as they explored concepts and issues from self-affirmation to rights consciousness. The film powerfully moves forward to the present day and shows the drastic change in today’s young feminist lalas – their challenging of sexism and homophobia with daring public street actions on subways – a parallel action to their forerunners in 1995, with much vigor and defiance 20 years later.

On November 18, 2017, a fire broke out in Xinjian Village, Xihongmen Town, Daxing District, Beijing. The fire caused 19 deaths and 8 injuries. This film mainly tells the bitter story of Li Zhiyong, the party involved, who moved three times after the fire broke out.

New Castle is a remote rural village where houses and mountains have been distorted due to excessive mining. Under the "New Village" campaign, all the villagers will be moved into the nearly completed Luxury Buildings. The documentary depicts the life of two groups of people, miners and villagers. The miners who are from all over the country, lost their jobs because of the Olympic Games in Beijing - the mine was shut down to make the air less polluted. The villagers had no better luck. Granny Fan lost two sons and two grandsons in a mining accident. Old Han and Old Wang are still farming. Some youngsters are gambling in the house of Han Bin, who was crippled in another mining accident. In the film, you can also see the village election, the service of local Christians, and people worshipping for a better year to come.

A Yangtze Landscape utilizes a non-narrative style, setting off from the Yangtze's marine port Shanghai, filming all the way to the Yangtze River's source, Qinghai/Tibet - filming a total distance of thousands of kilometers. Experimental music and noise recorded live on scene are used in post-production, painstakingly paired with relatively independent visuals, creating a magically realistic atmosphere contrasted with people seeming to be 'decorative figures' right out of traditional Chinese landscape scrolls.

Springtime, Maoshan Town, Taizhou Shi, north Jiangsu Province in China. As the villagers of Maoshan prepare for their annual temple fair to pay their respects to Chairman Mao, tempers are reaching boiling point. Organizing this festival is a not easy matter, as director Jin Shifang will attest. Not only does he have to deal with wayward loudspeakers and corrupt police, but he also has to put up with infighting and subordinates just waiting for him to make a wrong move. This observational film captures the lives of ordinary people in rural China caught in changing times, letting audiences to think it over.

A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”

The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect cheap scrapped metals, or pillaging other victims' homes. Behind the media circus of official visits is an inconsolable grief of families searching for loved ones. As the Lunar New Year approaches, vagabonds and family tell of the ill-handling of rebuilding schemes and misuse relief funds. As they prepare for another visit from a high official, the refugees are swept out of the town and into tent cities. The promise to put a roof over their heads before winter seems impossible to keep.

A documentary about government machinations and family conflict as development raises its head in an isolated country enclave of China.

17 riders with avarage age 81 decide to follow the dream of their youth and start their journey to ride around Taiwan island.

In northeastern China the Songhua River flows west from the border of Russia to the city of Harbin, where four million people depend on it as a source of water. Songhua is a portrait of the varying people that gather where the river meets the city, and an ethnographic study of the intimate ways in which they play and work.

While the first reports of the Covid-19 outbreak in Wuhan are heard on the news, elsewhere in the country Zhang Xiuhua—who is suffering from a different disease—is fighting for her life. The doctors may have given up on her, but her children and grandchildren haven’t, and they’re doing everything possible to keep her with them for a little while longer. We observe the family in restrained black-and-white as they struggle with their mother’s situation, the economic consequences of the pandemic, and each other. Pride and opposing worldviews ultimately put a strain on relationships between the brothers and sisters—but they still don’t budge from their mother’s side. Events within the family remain at the forefront, but the viewer repeatedly picks up on moments from the Covid crisis and the restrictions arising from it. In this way the film subtly interweaves a private crisis with a global emergency, and shows their reciprocal effects on a human life, at both micro and macro level.

At the end of the 1990s, about 40-50 million industrial workers were laid off in China, and the family population involved was hundreds of millions. He Guoping was one of them. After he was laid off, his wife opened a rental house. He became the "housekeeper" who cooks and cooks every day. His son He Huan was also raised by a playful child. Twenty years of follow-up shooting of this ordinary family, this continued "presence", the film has a time tentacle of "seeing the growth of grass". Some people say that this is a "civilian epic".

This documentary, edited over a period of six years, spans 20 years in the lifetime of three families of workers who were made redundant by their company. This work is divided into four parts, each part focusing on one family, the Zhou family, the He family and the Tao family, as well as one part about my hometown. This four-part documentary is an attempt to take a closer look at the process of privatisation in China over the past 20 years.

The experience and reflections of a red guard. Every time after a political disaster, most people are turned into victims of the disaster. The individual actions of the victims in the disaster are always overlooked. These actions overlooked ran through the entire process of the disaster. The entire process of the disaster turns most people into victims of the disaster. In every political disaster……

All There Will Be

A documentary film showing the life of Niu Hongmiao, a 20-year-old country girl who is now a prostitute in Beijing. Around the time of wheat harvesting, she goes back home to Dingxing County, Hebei Province to visit her parents.

Guan Kuanyi is seventy-six years old this year, and is the only surviving shaman of the Elunchun. Every first or fifteenth day, Guankani put tribute on the throne and worshiped the gods in the traditional way. After recovering from an illness, Guan Kuanyi had a mindset and hoped that in his lifetime, he could find a shaman's heir and inherit this ancient religious culture. But the young people no longer believe in the gods, which has become the biggest obstacle for Guan Kanni to find his heir. She focused on her daughter, Daisy, and her son, Rongrong ... Recording Notes November 22, 2007 In the morning, the world has become quiet, silent, simple and pure. I began to enter the state, into the world of shaman.

Hakka, a special and little-known ethnic group in Hainan, is a branch of the Chinese Hakka system that has been neglected. They are far from the mainland, and they are rarely mentioned. The relatively closed environment has allowed the Central Plains culture to be completely preserved. After that, it has formed a special change with the ethnic minorities such as Li Miao. However, this unique traditional culture is now fading away in the erosion of modern civilization.