Senioren im Straßenverkehr

Jocelyn works at her Uncle's 'Crying Booths' in the country, while crying is forbidden in the cities.

Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.

An old hermit lives in a slum and wants to teach the alphabet to the children who regularly go there to play. When a child proposes he use the word “Pelican” for the letter ‘P’, the hermit goes to the nearby park to see this animal he has never heard of.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

Visual haiku dealing with still and living life, ghosts and revealing light.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Kevin Jerome Everson's single-take film of a street hustler's sleight-of-hand game takes its place in a rowdy crowd of onlookers. The camera stays focused on the man's fleet fingers while the audio is glued to his gift of gab: "Keep your eyes on that little red dot if you want to win cold cash money on the spot." Every bit the performer, the hustler makes us wonder whether the film itself might be a kind of shell game (with the seemingly raw immediacy of the shot concealing its artistic intentionality). - Max Goldberg

One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg

Radiating the radical simplicity of a Lumière actuality, THE MAYBERRY PRACTICE CALF shows an African-American cowboy roping a hunk of tire again and again. "Calf roping is a discipline," Kevin Jerome Everson told an interviewer. "People practice it, they know the language of it and they know how to do it." Everson's camera evinces a comparable degree of discipline, with a single long take functioning as a montage through the serial repetition of the cowboy's action. We may wonder if we're watching a loop but gradually our eyes are drawn to small variations. Practice makes perfect. - Max Goldberg

A film about a young woman's future plans in Munich, Germany. MUNCHEN, RAPHAELA (also known as RAPHAELA RING MUNCHEN) is part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmaker Kevin Jerome Everson).

Anita and her children, Santa and Kristaps, live in an apartment in Riga. Every year, they celebrate New Year’s Eve with grandma, uncle Peter and a feast fit for kings…

This documentary film is about one of Georgia's regions - Racha. The title of the film is taken from the name of one of Racha's high mountain villages. It tells about the poorest in society living in the mountains and the rise of the SSSR. The product of a remarkable collaboration between the first Georgian female filmmaker and the leading Georgian avant-garde artist David Kakabadze.

Manuel and Alexander met in 1945. They fell in love and together they fought for the creation of laws and norms for inclusion and equality in society.

'Intended Parents' is a short film about a Black millennial couple, seeking to expand their family through surrogacy. With one partner identifying as a transgender woman, the couple (Alexandra Grey as "Robyn" and Lawrence Locke as "Anthony") find themselves continously educating or being imprisoned by outdated traditions and opinions from loved ones. While the film explores the intersections of love, gender, surrogacy, acceptance, and desperation; the powerful couple aims to deflate multiple negative stigmas as they prepare for the life-alternating roller coaster of fertility and surrogacy.

'PLAY TIME' is the winning submission for the Bloody Cuts - Who's There Film Challenge (2013), starring Anjella Mackintosh and Belle Mary Hithersay

Ana had the perfect husband, the perfect children, and the perfect friend, but she wanted to turn her life around and turned everything upside down.

After the lead of his Band is kicked out he makes a new rival band to compete.

A baby polar bear searches for his missing mother, while a force much colder than the frozen tundra searches for him.