On the 19th of March 2020, thousands of passengers disembarked from the Ruby Princess cruise ship in Sydney harbour. Their “luxury” cruise holiday had been cut short after authorities announced cruise ships would be banned from Australian ports as part of measures to stop the spread of coronavirus. Passengers mingled in groups on the shore before dispersing around the country and overseas. Far from protecting people, the release of the Ruby Princess’s passengers instead triggered a public health emergency with the cruise ship now named as the single largest source of Australia’s coronavirus infections.
In this sober and moody documentary, director Anders Østergaard explores the life - and death - of Swedish wonder kid jazz pianist Jan Johansson through a rain-soaked windshield.
It’s spring in the Ecuadorian Amazon and the Uyantza festival is underway with the community celebrating all that the forest has to offer. Meanwhile, news is breaking around the world that a novel virus is spreading and a state of emergency is declared across the country. As people test positive for COVID-19 in the community, some families decide to leave and head deeper into the jungle. Disconnected from school, friends, the internet, and work, one family learns to reconnect with life in the forest. The children begin to unlearn the national curriculum, and instead are taught Indigenous knowledge that mainstream schools normally pass over. As COVID-19 wreaks havoc around the planet, the family reconnect to their ancestral ways, but as news arrives that Ecuador’s lockdown will end soon, will the family choose to return?
The Covid hysteria began with slogans like “just 15 days to flatten the curve”, but within a year, it evolved to be “everyone must get vaccinated”. Your rights to the absence of coercion and informed consent are now under continual attack! People around the world are unable to get on planes and trains, access hospitals, attend funerals, go to restaurants and gyms, simply because they do not have a “health” pass.
Beijing, China, 2020. Empty streets, mandatory masks, checkpoints, the entire state apparatus used to impose severe restrictions on population movements. An entire country quarantined to fight a fierce epidemic…
Due to the measures taken by the government, students have fewer and fewer prospects for a meaningful future. Life is on pause and society is kept in fear. The confidence in a bright future is gone. Even after 18 months, there is still no light at the end of the tunnel. The many promises have not yet changed this situation. In this moving documentary, young people give an idea of the impact of the measures on their lives. Is there still hope or has the damage already been done?
Documentary that retraces Isabelle Adjani's life and career.
In an audacious reworking of the biopic, this ensemble drama sees jazz pianist Minami Hiroshi’s memoir cleverly reinterpreted into a surreal and playful story about chasing dreams, disillusionment and the inner lives of professional artists. Closer to playing two sides of the same coin than tackling a dual role, Ikematsu Sosuke embodies two versions of Minami – the naïve upstart and the jaded pro – who magically cross paths as they become entangled with a cast of colourful characters in the seedy alleyways and jazz clubs of Ginza over a single night.
Banksy is a household name, but behind this name hides a multitude of stories, artworks, stunts, political statements and identities, leading to one of the art world's biggest unanswered questions- who is Banksy?
An intimate portrait of Georges Brassens, giant of French song.
"The World According to Arild Kristo" - A portrait of the Norwegian photographer, designer, screenwriter and filmmaker Arild Kristo (1939 - 2010). The son of a cabaret singer. Who made his first film only 11 years old. Worked as a piccolo at Hotel Bristol in Oslo . Took to the sea and was involved in the filming of "Windjammer" (1958). Freelance photographer in the US during the 60's. An outsider who lived a very different kind of life. In Paris or Berlin or Oslo.
March 2020. Fabrizio, a photographer and filmmaker who lives in Luxembourg, returns to his family in central Italy after his father has suffered a heart attack. It’s the beginning of the pandemic, the country is in lockdown. An intimate diary and an ode to filial love in the face of the most trying circumstances a son can face. A tale of the soul and personal hardship in the context of a broader collective tragedy.
Investigative journalist Joshua Philipp examines the origins of the COVID-19 pandemic, caused by the SARS-CoV-2 virus, covering events from late December 2019 to early April 2020.
Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?
An in-depth look at the life and career of Bruce Willis, featuring never-before-seen photos and videos from the Willis family collection. Narrated by Bruce Willis.
On the morning of 10 March 2020 all Italians woke up in quarantine. Io Resto a Casa ("I Stay Home") depicts the filmmaker's first 14 days of the Italian lockdown, without ever leaving the house, made entirely on the web through the stories of five Youtubers and dozens of videos and photographs made and shared all over Italy. Fourteen days of fears, hopes, enthusiasm, boredom, normality and extraordinariness. Fourteen days that we will always remember.
'Gideon: Searching for the truth' takes the viewer with Van Meijeren on his quest for answers to questions about the current global health crisis. Questions that are common among the population, but to which he, and therefore the people in the country, do not get an answer in the Dutch House of Representatives. A place where Van Meijeren says he often feels like 'crying in the desert'. Where he gets no answers to his 'justifiably pressing' questions. Where instead he is invariably framed and judged by form, which makes any form of democratic debate impossible in advance.
The hospitality industry is the artistic heartbeat of New York. Thousands of artists, musicians, and actors flock to Queens to work in the service industry to supplement their dreams. In March of 2020 these dreamers put their lives on hold, self- isolating and sacrificing their income as Queens became the global epicenter of COVID-19. LAST CALL follows two local bars and frontline workers in a tale of two sacrifices that saved not only the lives of thousands but also the future of New York.
Muitos líderes em democracias erraram na pandemia. Ninguém errou mais que Bolsonaro.
Jean Moulin, lettre à un inconnu