Igor Levit: No Fear

7829 km od Wu-chanu

À la hauteur

Danish documentary about the relationship between Queen Magrethe II and the prime ministers.

Alan Gilbert und Igor Levit auf dem Kosmos Bartók Festival 2024

Herr Siebzehnrübl

Ilyes Djadel : en vrai de vrai

Sean Penn is almost a living legend. His filmography paints a picture of an 'other America': the lower class, the oppressed and the outsiders. Whether as an actor or director, he turns all the great myths upside down.

As news of the coronavirus broke around the globe, a small group of scientists jumped into action to tackle one of the greatest medical challenges of our time: to create a vaccine against a virus no one had ever seen before, and to do so in record time, during a deadly, global pandemic.

Oh how nice is Panama. However, it may be even nicer in Sweden. At least in winter 2020/21, when a small virus called SARS-CoV2 paralyzed the continent of Europe in particular. While in most countries the fight against the virus was announced with a wide variety of measures such as lockdown, compulsory masks and contact restrictions, which were also punishable by law, Sweden went a different way.

Valomanden

A young student heads back to his village during the COVID-19 lockdown to collect ethnographic material for his thesis, but as quarantine stretches on, the rituals and everyday scenes he records start bringing back childhood memories-leading him to piece the footage together into something more personal.

Passion concentrates on Grainger's unusual relationship with his mother and his sexual peculiarities (especially his obsessive self-flagellation, though homosexuality is also hinted at) which affect his relationship with a woman who comes to love him. It is set mainly in London in 1914, when Grainger's mother Rose was ill (she would later jump to her death in New York, upset by ill-founded rumours of incest with her son).

In this collaborative film, documentary filmmakers and photographers from around the world reflect on the mass movements and protests during the COVID-19 pandemic.

Les dieux de Molenbeek

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

A man tells the story of his three cats.

Adapted from famous French actor Philippe Torreton’s best-seller, GRANDMA is the portrait of the actor’s grandmother: a modest, unique but universal Norman peasant. Enriched with amateur films, nourished by major historical events, GRANDMA also tells the story of the end of a world, that of the countryside of our grandmothers, before the abyss of modernity.

Welcome to Mississauga where lawns are clipped, neighbors are watchful and no blade of grass dares misbehave. Except at Wolf Ruck’s place. His lawn grows wild, and so does the trouble.

Fragments from a portrait of Jean-Louis Costes - sincere artist, versatile designer, poet of excess -, a man forever atoning his anguish through singing, performance, drawing and writing...

Sur les pas de Robespierre