A young woman finds herself in an unfamiliar house rolled up in a rug, struggling to piece together the events of the night before.
In a night market, five characters recount their own unique story and represent a facet of Malaysian culture rarely explored.
Two small dogs steal a sausage from a butcher's shop, find a baby in a cradle, and chase after a cat—with the cradle in tow.
Sala Vermelha
M Soup, (2023) by Stephanie Mavi Garcia Panclas (SMGP), is their first experimental short film. M Soup, follows the character ‘M’ played by SMGP themselves, in which they play around with appearing hyper-masculine and hyper-feminine. This experimental short film can have as many layers as there needs to be or none at all. The goal is for it to be visually confusing and jarring yet have bits and pieces of meaning.
A reunion between a mother and her pregnant daughter, who need a moment to recognize themselves and to understand that they will live together again in a new situation for both of them. An exercise made by the author during her second trimester at the London Film School, inspired by the painting "La Coiffure" by Edgar Degas.
In the 1960s, after the love of his life leaves him in the dust, a young soldier in Boston's Italian Mafia must decide whether his future will be one of violence and lust, or love and morality.
Between memories and intimate ghosts, a narrator wanders through the haunted corners of her own memory.
This short film blends a cultural exploration of Jewish traditions, Austrian internationality, and the hectic energy of a film set. Presented as a one-shot, it captures the essence of what every filmmaker encounters during their projects.
A station. A boy. A girl. The same book. An exchange of looks and movements that tends to a loving dream with an unexpected ending. A 16 mm black and white exercise made by the author during her first trimester at the London Film School.
Biopic filmed in a single shot about the Majorcan musician Juanjo Monserrat.
On the eve of a difficult day, two estranged friends reunite to look for certainty ahead of an uncertain future.
Maya finds an old love letter that describes places in her city—places that have vanished or changed beyond recognition. She walks through these lost locations, guided only by the memories of someone she never knew.
Having gone out into nature, Koshkin became a victim of a robber. And so, completely naked, he seeks help from people, from those who will not be afraid…
A couple looks hopefully into the future. They soon discover the obstacles they must overcome to be accepted. As generations evolve their position alters in what was once a foreign land.
A transwoman mechanic lives between running her family’s auto shop during the day and expressing her femininity at night, until an unforeseen event threatens the delicate balance.
A teenager wakes to discover she’s the last person on Earth.
Sassi and Lintang are close friends who didn’t meet for a long time. After graduation, Lintang decides to stay at Sassi’s house for college enrollment. They spend the night talking about things that have happened in the past. Sassi memorizes back the story about sexual harassment at school that happened to her. The incident caused Lintang was dropped out from school because she was considered to be spreading false information. Sassi regrets it and hopes that Lintang will fix their friendship from the start again.
In a Greek museum, a visitor gets lost in the ancient story of Ariadne through a painting on a plate. She takes Ariadne's place and confronts the Minotaur in his labyrinth.
From the moment a girl goes to her in-laws house, an evil force called violence surrounds her. In this story too, a girl is going to her in-laws house after marriage. A character named "Violence" starts giving bad advice to the girl's husband, father, father-in-law, mother-in-law. But nobody cares about Violence. At one point the Violence erupted with various attempts to enter the girl's in-laws' house. Finally, the Violence is seen to be dormant. Lutfar Rahman George played the role of Violence. Filmmaker Shamim Akhtar said about the film, “Everyone overplays the negative things. This film is an exception. Because, the entire film tells a positive story."