Ma Ma Hu Hu

The father tells his daughter Nunu a lie that there is a cow in her milk cup. She believes it and drinks up milk, but there isn't any cow. Her father tells her a variety of lies, which Nunu finds increasingly difficult to believe.

Her, not only her, they are all the only children in the family, Typical underachiever, they often escape away from their broken family r ，Humbling every day with others young people like her in Internet cafes . when she finally plans to go home, she only to find that her family had moved away… ….She became one of them.

The emperor's southern tour, where the place is full of hospitality, needless to say, local food attractions need to taste the tour. West Lake Moonlight Night, quiet and distant, the emperor sat in the boat and tasted the famous West Lake vinegar cooked by famous chefs. Even though the taste of the world's famous dishes, the emperor is still attracted to the delicious taste of this dish, for a time completely disregard the image, big. The so-called music is very sad, and the bones of the fish are stuck in the throat, and the pain is unbearable. The chef tried his best, and it was hard to see the results. He was also raised by the emperor who was angry and angry. At this time, the calm prime minister is coming out...

n order to sell arms, radish provokes a war between eggs and apples. Everyone is a businessman, just to do business, not want to break the balance of the galaxy... Pig, innocent is pulled down the altar...

A writer shares an apartment with another painter and musician, but they never talk to each other, nor do they visit each other in the bedrooms. One day, the writer suddenly decides to visit the painter in his bedroom and initiate cooperation between them. Later, when they get stuck with their work, the musician joins them, which signals the emergence of a new form of art...

Adapted from the online comics Pundusina, the story shows Macao's typical family values and ways of family members getting along with each other, through narrations of the daily life and interesting anecdotes of the Si's, the protagonist, for viewers to learn about the social aspect of this intriguing city.

My inspiration is from the novel Us, which was written by Yevgeny Zamyatin, a Russian writer. In this world, no one has his/her own name except a code. Human beings are divided into several levels. Different levels were assigned to different types of work. The “Fountain” is both the source of energy and the landmark landscape in this city. There are many tall towers like diving platforms near the fountain. People can get closed to the “fountain” here. This city is always crowded and dark. D-503 lives a regular life here every day…

"Desire Line" was originally an architect's term for paths made by people when walking across open grassland, what these lines represent are the shortest or most easily navigated routes between an origin and destination. The film uses this idea in the context of how an artificial intelligence might work: the AI generates optimal solutions to user problems as a form of desire line calculation. The film aims to interrogate the increasingly controversial role of Artificial Intelligence by visualising a statement from a bot about its experience on a Valentine's Day in the near future.

“On my planet” is a short love story. The concept is that everyone owns a little planet. The main character of my story is little boy called blue who owns a big blue planet but lives a very lonely and boring life. Until one day he found out an orange planet where a little girl lives on it , however it would only come every 72 years. This is the story about how he use every methods to attracts the girl’s attention and how he mange to pursuit his love.

A shy boy, who was not good at communicating with others, saw a shining fish in a stream one day and took it home. Since then, his life has changed. The lonely little boy was getting vivacious because of the little fish. But suddenly one morning when he got up, the fish disappeared...

Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.

The Chinese Department of Sun Yat-sen University (Guangzhou) staged the Chinese debut of "The Vagina Monologues" in December 2003. Since then, this feminist play, which came from the US and has been committed to the elimination of gender-based violence, has incited a vagina hurricane that blew all over mainland China.

This film is a realistic record of a sixty-year-old couple living in a remote village (Gurenay) in the Badain Jaran Desert of Alashan, Inner Mongolia plant thousands of mu of ammodendron and euphratica to fight against expanding deserts.

Workers, peasants, soldiers, students and merchants were five groups of Chinese society in the 1950s, after the so-called elimination of the exploited class. Borrowing this concept, the umbrella is taken as the clue to rediscover changes in various social classes after the economic reform, and to analyze the social problems in China. Workers making umbrellas, merchants selling umbrellas, students looking for jobs in the rain. Umbrella is used as a metaphor that can be seen everywhere. As the raindrop, what we see is sometimes clear, sometimes untraceable.

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.

The year 2003 is a rather turbulent period for Hong Kong – the economy was in recession, the government constantly implemented futile policies, the SARS outbreak, and, on July 1st, 500,000 people went on strike opposing the adoption of Article 23 of the Basic Law. It was against this political atmosphere that YIN Zhao-Jian gave up his social worker job, a 10 year long and steady career, and joined the political circle and participated in the district councilor election, which he had no idea about.

Six-year old Lin resides in an isolated fishing village with her brother and their widowed mother. When the family gets an opportunity to start a new life, Lin has a startling revelation. A melancholic tale inspired by real events.

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect cheap scrapped metals, or pillaging other victims' homes. Behind the media circus of official visits is an inconsolable grief of families searching for loved ones. As the Lunar New Year approaches, vagabonds and family tell of the ill-handling of rebuilding schemes and misuse relief funds. As they prepare for another visit from a high official, the refugees are swept out of the town and into tent cities. The promise to put a roof over their heads before winter seems impossible to keep.