Kommil Foo: Breken

DivertiMento – Gate 10

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Bert Visscher: Afijn

An entertaining compilation of cabaret scenes by Jenő Rejtő.

Jandino: Laat ze maar komen

Stage registration of the thirteenth show by the Flemish cabaret duo Kommil Foo. About man and his everyday tragedy. And that that man is a wolf to his fellow man...

A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Youp van 't Hek looks back on his early years as a comedian. Of course, with the more than 40 years of knowledge and experience that he has acquired in mind. But secretly it is mainly about his current life, now that he is 65 years old. Van 't Hek puts things into perspective, with the necessary self-mockery.

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

Tineke Schouten - Posi-Tien

Robin Hood - czwarta strzała

Claudia de Breij: De Wilde Frisheid

Urbanus: Beter 10 Krisis In De Lucht Dan 1 In Ons Land

Video registration of the second comedy special by the Dutch comedian Martijn Kardol. A show about social distancing, the online life and individualism.

A video-registration of the revue/cabaret show 'Showponies 2' by the Alex Klaasen Revue. In this sequel to the first Showponies-show, Alex Klaassen explores to what extent he cares about what (the still quite heteronormative) society thinks. Klaassen considers coming out for a second time, because he feels like he has ended up in a second closet after his first coming out.

In his first show, Henry was only concerned with entertaining his audience and no more than that. In Electropis he talks about essential things: about his generation Y, materialism, fear, love and nice women. Is this performance intense? Yes. Funny? That's for sure. And is it really about the aforementioned themes? Probably not.

André van Duin - Ja Hoor... Daar Is Ie Weer!

The show of Toon Hermans anno 1967

The show of Toon Hermans anno 1978