Kommil Foo: Breken

With “Totally Crazy”, the glamor, daring, and impertinence that are the very DNA of Crazy Horse Paris are showcased into a different, more immersive format. The driving desire of this show it to invite the audience to experience fabulous moments of complicity and sharing around iconic acts that have contributed to the Crazy Horse Paris legend.

"Huh...? 2013? And you're still here? Damn! And above all: what now?" All of humanity was looking forward to the Great End. For centuries, we consciously pursued an economic and ecological policy of "everything must go." So that everything would be celebrated, used up, and spent by 2012. Together, we counted down to the Apocalypse. 3... 2... 1... ! And then nothing happened. We have been historically deceived! Duped by clever "marketing mayas." Raw materials, oil, credit, original ideas for TV programs: it's all exhausted! Here we are now with a global hangover and a gigantic clean-up. What now?

The first show by the Dutch comedian Kasper van der Laan.

Doktor Murkes gesammeltes Schweigen

Urbanus: Hebben jullie mijn filmpjes al gezien

Xander De Rycke has had enough. Comedian Xander De Rycke has a new project. The creator of the popular podcast "Mosselen om half twee" (Mussels at half past one) is releasing a special about his secret love: the Flemish media landscape. Over the past year, De Rycke has watched just about every Flemish film and TV program.

Urbanus: Het een oog in, het andere oor uit

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Richard Groenendijk: Voor Iedereen Beter

Stage registration of the sixteenth show by the Flemish cabaret duo Kommil Foo. 'Schoft' is, once again, a show about the human condition. About mankind who tries to hold his own, but inevitably stumbles and falls. Time and again man will scramble up, only to fall again later. A laughable, but also comforting thought.

Stage registration of the first comedy special by the Dutch comedian Martijn kardol. Kardol tells about his fears, caused by terrorist attacks, and about being a control freak.

For the very first time, two of the greatest voices in musical theatre, Rachel Tucker & John Owen-Jones, join forces onstage for One Night Stand – an intimate show where they’ll perform musical favourites….and songs you’ve never heard them sing before. Both artists are renowned for their work in the West End and Broadway, Rachel as Beverley Bass (Come From Away) and Elphaba (Wicked) and John as Jean Valjean (Les Misérables) and as The Phantom (The Phantom of the Opera).

Registration of the eight theatre program by the Dutch comedian Richard Groenendijk.

Caribbean Combo: Ze ZIJN er weer!

Caribbean Combo: Tijd voor Caribbean Combo

Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!

In dit tweede solo-programma komt hij nóg harder, nóg scherper en nóg pikanter uit de hoek. Gevoelige toeschouwers weze bij deze gewaarschuwd: geen huisje - heilig of niet -blijft overeind, geen thema onbenut. "Morimos Solamente" bevat geen theatrale structuur (heeft dat ook niet nodig), maar kan je best omschrijven als anderhalf uur fantastisch verbaal geweld. "The World According To Alex Agnew" dus…

Paul de Leeuw: Poephoofd