The daughter of a wealthy shipowner is kidnapped by a ruthless gang and her father terrorized.
A string of miscalculated choices and the longing of a fresh start will drag Magda of the slums deeper and deeper into a tireless personal nightmare.
The daughter of a Greek expatriate from Australia, Pagona a.k.a. Peggy (Ketty Panou), after the death of her father she returns to Greece to live with her uncle, Dionysis Katifes (Yorgos Damasiotis) to whom his brother has left the management of his estate of 100,000 pounds until his daughter gets married. Dionysis, wanting to keep his niece's inheritence for himself tells his partner, Frixos (Alekos Livaditis) to marry her. This is also the plan of a failed Geology professor, Kleomenis (Mimis Fotopoulos), who enlists the help of one of Dionysis employees, Hronis (Dinos Iliopoulos). Peggy though, pretends to be bankrupt in order to see which one of her suitors is actually interested in her and not her money.
When the painter Nasos Karnezis is found dead and the police arrests Floras, the stockbroker Dimitris, his son from his first marriage, decides to find out who the real murderer is. Along with a tow of his friends, reporter Makris and the politician Delios research the case and they suspect Myrto, daughter of captain Kapsis who was executed by the Germans during the years of Occupation, after Karnezis had turned him in. Dimitris and Myrto, whose innocent has become clear in the meantime, fall in love with each other.
Kokovios and his close friend Nikolakis engage in various odd jobs with the hope that they will eventually find success. The kind-hearted Kokovios helps an elderly woman take her paralyzed daughter, Vasso, to Tinos, where the Virgin Mary always performs miracles. On their return to Piraeus, he learns that his father has died and so he becomes the heir to the family business. As he is no longer penniless, he confidently asks for Vasso's hand in marriage, and she agrees. A typical Greek comedy with naive heroes and excessive optimism.
An American scholar in Greece sets about improving the local prostitute with whom he is infatuated.
The consistency of a family with 13 children tested when a childless couple asks Americans to adopt the 14th located in his mother's belly.
A travelogue from Greece, showing sites in Piraeus and Athens.
1904, cinematography by Frank Ormiston-Smith.
Two young men embark on a woeful trek to the nearest kiosk to get some beverages.
In an apartment after a party, an upset young man and his friends have to find a way to escape after the owner of the place locks them inside.
Invernadero
Regina, 75, takes every opportunity to line up in the government's arduous medical assistance dole out program just to secure mitigating financial help for her sick husband's increasing hospital bill. In the last two hours before she reaches the end of the line and receive help, Regina bears with her own debilitating illness due to old age, confronts a fixer condoning corruption, and temporarily leaves the line to look for her missing granddaughter who wanders off.
Além
Utilizing backdrops from Simon Fraser University with words from the poet Chantal Gibson's Ad Hominem, the film reflects on colonization in Canada, especially in the ways their influence permeates in formative institutions like colleges. Done through the lens of a photographer, it encroaches on the frustration between colonial erasure and gauging one's participation in that erasure, whether by complicit involvement, ignorance, or inaction
Fantasia no Escuro
A young superhero faces his greatest moral test. His former best friend, now a malicious and dangerous criminal, is bound in chains. The hero is forced to reckon with a painful decision, one that challenges him beyond any physical confrontation.
Estrada, Lua e Noite
A young wrestler’s only way out of his dead end town and the trauma tied to it is to fight his way onto the Australian team. But when an unexpected tragedy strikes, his fight to escape turns inward, trapping him alongside the very trauma he cannot outrun.
Gasolina