This making-of piece includes remarks from production designer Owen Paterson, concept artist George Hull, visual effects supervisor John Gaeta, US unit production manager L. Dean Jones Jr., US model unit special effects coordinator Geoffrey Heron, Zion unit sequence lead Rodney Iwashina, high speed first assistant camera Paul Sanchez, US model unit art director Nanci Noblett, conceptual designer Geofrey Darrow, model shop supervisor Michael Lynch, US model unit producer David Dranitzke, prop maker foremen Dave Fogler and Fon Davis, and visual effects supervisor John "DJ" Des Jardin.
De(s)amparo, polifonía familiar
This thirty-minute documentary follows the Wachowski sisters and the film's crew through production on the film's famed highway chase sequence. We get interviews with the visual effects supervisors, the stunt coordinators and even are taken through aspects of pre-production and planning for the scene. Then the documentary moves into production, the scariest aspect of which is certainly Carrie Anne-Moss trying to learn to ride a motorcycle good enough to do so safely without helmet for the scene. We also watch as the stretch of freeway used in the film is being built.
This making-of piece offers the standard mix of movie snippets, behind the scenes materials, and interviews from cast and crew on the making of the film.
Alfred DesRochers, poète
A look at Enter the Matrix: The game's story picks up just before The Matrix Reloaded and runs parallel to that of the film. Bend the rules of the Matrix with martial arts, pilot the fastest hovercraft in the fleet, or just fight with lots of guns.
A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.
A featurette about the special effects of The Matrix Trilogy
There Will Be Oil is a documentary portrayal of the oil debate in Loften and Vesterålen.
The special effects of the Agent Smith scenes in Matrix Revolutions
It's the disease the world has been fearing. No country is prepared. Scientists now believe it's only a matter of time before another major epidemic kills millions. The most likely source is a mutation of the influenza virus, killing birds and humans across Asia. But what would happen if such a virus struck? Can anything be done to prepare?
The cast share their thoughts on Gervais, his laugh, and the art of "corpsing," when Gervais can't keep a scene together before laughing. A longer reel of corpsing and outtakes follows
Donald is a lighthouse keeper. He shines the light on a sleeping pelican; the angry bird comes into the lighthouse and tries to put out the light. Donald and the bird do battle through the rest of the picture.
A 315-pound man decides to kick his food addiction by moving to the country.
The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.
Amid a rapidly changing cityscape, the lives of a disparate group of swindlers, hustlers, gangsters, and expats collide, with a naive French teenager and a sensitive young local who tries to protect her caught dangerously in the middle.
While silent-film star Charlie Chaplin may have charmed American audiences with the onscreen antics of his lovable "Tramp" character, the actor's private life was marred by a series of public scandals that eventually pushed him into exile. In addition to his penchant for much younger women, Chaplin was unjustly hounded by Senator Joe McCarthy's notorious anti-Communist witch hunts, for which the U.S. revoked his visa in 1952. A bitter and disenchanted Chaplin responded by moving his family to Switzerland, where he remained until his death in 1977. This documentary chronicles Chaplin's life and career during those so-called "forgotten years" (during which he became a prolific and highly respected film-score composer) through previously unreleased archival footage and intimate interviews with his friends and family, including his children Geraldine, Michael, and Eugene.
Filippo is a star on the Italian TV. He works for a documentary series about wild animals and nature. He is sent to Tenerife (Spain) to shot an issue about the local stork. It is the 13th of August. After he did his job is time to leave, but the ferry couldn't operate. He has to spend the night in the island. The day after is again the 13th of August, and Filippo live again the same day for different times. Something has to change to exit the paranoid and unrealistic situation.
Satirical drama by Evelyn Waugh, adapted by Sam Hobkinson. Visiting her father Lord Moping in the county asylum, Angela meets a fellow inmate who appears far too sane to be locked up in an institution. She manages to get him released, but he returns two hours later, having achieved a terrible ambition.
Mrs. Topper's friend Mrs. Parkhurst has convinced Mrs Topper to file for a divorce from Cosmo due to the strange circumstances of his trip with ghost Marion Kirby. Marion comes back from heaven's door to help Cosmo again, this time only with dog Mr. Atlas. Due to a strange behavior of Cosmo, the judge refuses to divorce them, so Mrs. Parkhurst takes Mrs. Topper on a trip to France where she tries to arrange the final reasons for the divorce. With help of a gold-digging French baron, Marion takes Cosmo to the same hotel to bring them back together and to get her own final ticket to heaven, but the whole thing turns out to be not too easy.