The Making of a Dream is a cinematic essay on stories of dancers. It shows joys and pains from the first steps in an amateur school to the goal to become a principal dancer in a world known ballet company.
Ahimsa - Die Stärke von Gewaltfreiheit
Album de famille
Al Quds - The Workshop
While managers of Swiss banks in the USA ruefully apologize for their tax evasions practices and customer data is disclosed to the American authorities, Rudolf Elmer, former auditor at bank Julius Bär, is indicted for violating the Swiss banking secrecy law on the Cayman Islands. Rudolf Elmer: from insider to critic.
Anders als die Väter
Que viva Mauricio Demierre
Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The Right to Die profiles that nation's EXIT organization, which for over twenty years has provided volunteers who counsel and accompany the terminally-ill and severely handicapped towards a death of their choice.
Remue-ménage
In 1979 U.S. President Jimmy Carter installed 32 solar hot water panels on the roof of the White House, which were removed after Ronald Reagan took office. This documentary investigates what happened to those panels and why they were removed.
A l'ombre de la montagne
À l'Ouest du Pecos
A tout prix
Sages Femmes
Oltre il confine - La storia di Ettore Castiglioni
“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The film creates polyphonies of soulful landscapes made up of each individual's highs and lows.
The film reconstructs the memories of a divorced family with empathy yet merciless precision. An intimate family story emerges during the investigation into the reasons for the separation. Hinging on the subtle and touching testimonies of the family members, the film delves into complex interrelationships. Actors bring the family's memories alive as if they were their own. The result is a chronicle of a family drama, which the real protagonists complement and comment on – a reflection on the mechanisms and dynamics shaping and directing their family life over the years.
Klaus Rozsa, a well-known and politically active photographer, lived in Zurich for decades as a stateless individual. All of his applications for naturalisation were refused on political grounds. In 1956 he fled Hungary, growing up in Switzerland with a Jewish father who had survived Auschwitz and Dachau. Due to the extreme proximity of such a fate, the camera led him repeatedly to places where injustice was done. It was this particular quality of his camerawork that proved fateful for him.
Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.
Switzerland was one of the last countries in the world to grant women the right to vote. This film guides us through a century of Swiss history, tracing the imprint left by the women who fought for the right to leave hearth and home – and by the men who did everything they could to send them back – until they gained legal equality, whose implementation seems to be in question still today.