Flowers for My Father

L'école des fleurs

Every summer on Palermo's Mondello beach, over 1,000 cabins are built in preparation of the Ferragosto holiday. Centered around a family who goes into debt, three women holding onto the feeling of youth, and a politician seeking votes -- a vanity fair of beachgoers hiding behind the memory of a social status that the economic crisis of recent years has compromised.

Four friends embark on a journey to California where they discover the beauty of friendship amidst the stunning landscapes of the West.

In 1772, Englishwoman Mary Delany wrote to her niece: “I have found a new way of imitating flowers.” The imitation in question was the art form called decoupage, based on cut-outs and reshuffling of pictures. The charm and botanical precision of these works attracts attention of even today’s artists, among others by an anonymous programmer who is trying to invent a way of capturing the flowers’ vivacity in pictures. With this aim in mind, she has created an algorithm, which would combine science and beauty, similarly to Delaney’s efforts, whose illustrations it is meant to animate.

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

Fog surrounds the peak of a mountain as summer wildflowers bloom.

Somewhere between the mountains and valleys a small autumn flower bloomed.

A formally free poetic documentary filmed through a summer depression in northern Portugal.

A close look at flowers and pollinators on a sunny summer morning.

Mountain wildflowers in a dense fog.

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

Women workers stand up to the toxic flower industry in Colombia.

A short film about the daily holiday life of an enigmatic and rather luminous creature. "La journée de Milenka" is a footage of her holiday in Italy. We decided not to record it as usual footages, but instead, focus on the time and space surrounding the character. It represents a day, in the afternoon, that reflect the peace, itself represented in the slowness, which Milenka aspires (and finds) to achieve.

Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.

Fantastic Flowers is a compilation of short silent films produced between 1906 and 1920, displaying amazing colours that were applied to each frame using the Pathécolor process, or other similar stencilling techniques. Bonsoir – La Fée aux fleurs (1906) / [Bloemenvelden Haarlem] (1909) / Les Chrysanthèmes (1907) / Le Chrysanthème, roi de l’automne (1914) / [Les Tulipes] (1907) / Les Fleurs dans les jardins (1914) / L’Après-midi d’une japonaise (1920) / The Beauty Thief ([1920]) / La Fée printemps (1906) / [Het schoonste uit de natuur] (1912?) / La Culture du dahlia (1911) / [Hollandse Tulpen en Klompen] (1920?) / Fabrication des fleurs artificielles (1911) / [Bonsoir tableau] (1906)

A short silent film from 1914 about the Chrysanthemum flower.

Fleurs à parfum, retour en Grasse

Beauty on the Wing: Life Story of the Monarch Butterfly is a 56-minute narrated film that unfolds along the shores of Cape Ann and in the heart of Mexico’s forested volcanic mountains. Every stage of the butterfly’s life cycle is experienced in vibrant close-up, from mating to egg to caterpillar to adult, and set against the backdrop of sea and forest, sun and wind.

"Shiloh Cinquemani works wonders simply by framing flowers in “Narcissi” and “Rose.” Her delirious flux of glances electrifies the old-fashioned still life." -Bill Stamets, The Chicago Sun-Times