Veer-Isha Nu Seemant

Kula Gourava is a 1971 Indian Kannada language romantic drama film directed by Peketi Sivaram and written by G. Balasubramanyam. It stars Rajkumar in triple roles along with Jayanthi and Bharathi. The film was produced under Sri Eswari Productions of N. Veeraswamy. It had a very successful soundtrack composed by T. G. Lingappa. Popular actor-director V. Ravichandran, son of the film producer Veerasamy, appeared in the film as a child artist. The film swept 5 awards at the 1970-71 Karnataka State Film Awards including the best film, best actor, and best editor categories.

A family's harmony is disrupted when the patriarch falls ills and the youngest son inherits ownership of their humble mom-and-pop shop.

Katie, an intrusive waitress, becomes entangled in a time paradox as she strives to uncover the truth behind the broken relationship of a caring father and his cold-hearted daughter.

A distraught teen attempts to track down her recently-deceased father’s missing cat, only to unearth a devastating family secret in the process.

A funeral can be a time for laughter (and lessons) when the kooky Brown family gathers to bury Brown's 107-year-old father. It's a foot-stomping sound-stirring send-off and a great reminder--"Ain't nothin' like family, ain't nothin' like love!"

Nyengkuyung tells about the adventures of Pak Suratno, a former RT head who tries to hold a gamelan performance in the midst of his confusion about adapting to the new routine of becoming a retiree. In the midst of his efforts, he discovered odd things that were done by Pak Hari, the new RT head.

Khorshid, a blind child growing up in Tajikistan, is constantly distracted by music and sounds. This frequently causes him to be late to his job as an instrument tuner even though he runs the risk of being fired at a time when his family is in danger of being evicted from their house.

Two parents deal with the effects when their son is accused of murdering his girlfriend.

Something very common in our days, an adolescent who does not find communication with her mother or stepfather falls into a depression that drags her down paths of difficult return. A film that shows the harshness of loneliness and the wrong search for drugs as a way out of problems.

Romão, illiterate and unemployed, feels destiny drawing him on an odyssey to Rio de Janeiro in pursuit of a job and a decent life. A family of seven journeys 2,000 miles across the hinterlands of Brazil on bicycles. Along the way, the story explores the inner dynamics of a family facing a great challenge with the courage to pursue dreams.

What happens when two eccentric individuals—a grandfather and his grandson—are forced to spend an entire weekend together? Based on stories and screenplay written by Olivér Gömbös, a young creator on the autism spectrum. For many years, Olivér has been expressing himself and his view of the world through unique film narratives. With a talented creative team and outstanding actors, director Tamás Németh Pákolicz has helped bring Olivér’s greatest cinematic dream to life.

Roots & Wings tells the story of a Mexican family in the United States struggling to regain its balance. Ruben Diaz, a faithful husband and father, must deal with his wife’s conversion to another religion. While his wife Antonia feels she is obeying God by being baptized, Ruben feels betrayed by her disloyalty to their Catholic vows and cultural values. This conflict threatens to tear their family apart.

Kaveri and Sathish fall in love and get married and have a perfect life. However, Sathish's behaviour towards Kaveri changes when he finds out she was molested as a kid. The film revolves around the issues of a woman's chastity, the acceptance of mentally ill by society and unfaithful spouses.

REMORDI(𝘮𝘪𝘦𝘯𝘵𝘰)

After commiting a terrible crime by accident, siblings Joel and Ana decide to escape to a new life to avoid consequences, needless of a forgiveness they would never be given.

OUR STEPS CARRY THE WEIGHT OF THOSE BEFORE US In a British-Ghanaian household bound by tradition and religion, a young girl lives under the oppressive control of her abusive father. At the family dinner table, heated arguments reveal the deep rift between them as they confront the scars of their shared history.

A husband and wife recall an event when their love was tested amid Punjabi pre-wedding customs, as their family continued to create a scene due to cultural and racial differences, which persisted despite the customs.

Born into a tight-knit wrestling family, Paige and her brother Zak are ecstatic when they get the once-in-a-lifetime opportunity to try out for the WWE. But when only Paige earns a spot in the competitive training program, she must leave her loved ones behind and face this new cutthroat world alone. Paige's journey pushes her to dig deep and ultimately prove to the world that what makes her different is the very thing that can make her a star.

The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.

Vasantha, a feminist, is promised her ancestral inheritance only if she gets married. In order to secure her riches so that she can help women in distress, she hatches a plan.