The Sleepwalker

Antoine - a grieving loner - spends his days in a cafe on Place Clichy watching people. Every day, he sees a woman he calls Albertine get out of the subway and go to the movies. Today, he takes it upon himself to talk to her. Thus began Antoine's down-going.

After a heartbreaking loss, a grandfather struggling to reclaim his passion for painting finds the inspiration to create again.

Xochil is a woman who must immerse in her past to find herself, opening the doors to a world that she thought was long forgotten.

Pupa symbolises a dark room; a room that contains the mental conflicts of human identity. Our protagonist is an artist who is left alone in that chaotic space. His disturbed mind undergoes a drastic change when he is exposed to a metaphoric memory.

Jeong-woo, who was enjoying his honeymoon with Na-yeong, quietly calls Min-joo while she is on a business trip. And after having a lovely time alone, he was resting at home, and Na-yeong came home earlier than he thought, and Jeong-woo hurriedly sent Min-joo away, but Min-joo is hiding in Jeong-woo's house instead of going back to her house. At this time, when Na-yeong and Jeong-woo peeked at the scene, they were so surprised that they ended their relationship with Na-yeong in a hurry and drove Min-joo away. But the immature girl, Min-joo, who is enjoying this, how will their relationship end? The thrilling love story between a young man and a woman is just beginning.

The loss of Jack's wife Katie sends him into a deep depression. Having been through a similar loss, Jack's good friend Allen must now talk him back from the brink, with the help of a mysterious gift from the night sky...

Liz is homeless, living life adrift. In a moment of despair and loneliness, she returns home after many years to her God-fearing mother and discovers time has changed more than she ever could have imagined.

In 2029, Korea's lunar probe Woori embarks on a historic journey to the moon, capturing global attention.

After a series of unexpected UFO crash landings on the planet Earth, a large portion of life slowly and mysteriously went extinct. We follow a man that struggles for survival, as he gathers items needed for the impending winter. Outside of personal video logs and the philosophical ramblings of a former human survivor, the man seems to wander the world without contact from other humans.

Contemplative and almost without dialogues, the film shows the routine of inhabitants in a city: a young woman who lives alone; an eldery that lives in the street, next to the river; a police officer; customers in a bar; two students. Little by little, through flashbacks, the plot connects these characters.

Young prostitute meets an artist, gets invited to a modeling session and finds herself in rather new and exciting world of artists; then the day ends and she has to return to her usual place in life.

A fisherman throws himself into unknown waters, where fish have long gone, wrapped in silent mystery. In this journey without return the landscape sometimes assumes the role of the other and the other soon reveals the reverse or a mirror of him self in the ineluctable solitude of the horizon.

A man and a woman relive moments of their lives transfigured on the landscape of a beach. Past, present and future merge in the cadence of the waters, which come and go revolving memories and old silences. So the characters go through a sort of trail of desire, leading the edge of the abyss of themselves, where all days born and die, the horizon of all passes, all eventides.

His world was already like an empty anthill, a dry swarm to which a cricket has come to sneak.

At the beginning of the 70s, Jean Genet is in Tangier, he is in his sixties and he no longer writes. He lives in the El Minza hotel, a palace, where he spends entire days reading, smoking and sleeping (he takes Nembutal, a barbiturate used as a sleeping pill). He only goes out at the beginning of the afternoon to have a coffee with milk in one of the bars of Petit Socco. He sometimes meets the young Moroccan writer Mohamed Choukri there. Their discussion is banal, friendly. Sometimes they talk about literature. Genet no longer writes, but is still inhabited by it.

PEDRO

Variácie slávy

Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, in her late-thirties, unrepentant and happy; Ana, a teenager, remorseful and frightened.

A man walks into a foreign neighborhood to look for a house. Then, the drastic summarization of the story and time will confuse the audience at first, but it brings suspense and a deeply lingering impression to the story. There is more that is unseen than visible. This intentional void prompts various emotional interpretations. During that time, what sort of moments and stories did the man and the house share? Since the guessing is left to the audience, we are left to remember, not the man’s, but our own personal memories. Hanyang villa or whatever else, that’s what houses do – they are where our memories dwell.

Einar is an addict who has just abandoned his wife and five-year-old daughter. While struggling to detox at his lodge near the ocean, Einar is harassed by a stranger.